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In 'Klansville, U.S.A.', David Cunningham tells the story of the astounding trajectory of the Klan during the 1960s by focusing on the pivotal and under-explored case of the United Klans of America (UKA) in North Carolina. Why the KKK flourished in the Tar Heel state presents a puzzle and a window into the complex appeal of the Klan as a whole.
This volume champions vocation and calling as key elements of undergraduate education. It offers a historical and theoretical account of vocational reflection and discernment, as well as suggesting how these endeavours can be implemented through specific educational practices. Against the backdrop of the current national conversation about the purposes of higher education, it argues that the undergraduate years can provide a certain amount of relatively unfettered time, and a 'free and ordered space', in which students can consider their callings.
Annotation. Drawing upon thousands of pages of primary source documents, Cunningham examines COINTELPRO's surveillance of both right and left-wing social movements in the 1960s-1980s
Cloudworld At War is thrillingly dramatic, a heart-pumping tale set in a vividly-imagined world. William Nicholson, author of The Wind Singer, screenwriter of Gladiator. CloudWorld At War completes the story begun in CloudWorld, which received widespread acclaim and was nominated for the 2007 Manchester Book Award. In a world entirely covered in clouds, huge citadels stand on fertile mountains peaks. Having returned to their citadel, Heliopolis, Marcus and his comrades must find a way of persuading its oppressed population to rise up and defeat Titus, the dictator whose Kabal has seized control of it. The stage is set for an epic conflict. But will Marcus be able to face the man who killed his father? And will he be reunited with Breah, the young woman he left behind in Daldraidh, the sun-starved world beneath the clouds?"
First book to provide a comprehensive account of Adorno's aesthetic theory in relation to literature, now available in paperback.
Civil wars vary greatly in their duration. This book argues that conflicts are longer when they involve more actors who can block agreement (veto players) and identifies specific problems that arise in multi-party bargaining. Quantitative analysis of over 200 civil wars since World War II reveals that conflicts with more of these actors last much longer than those with fewer. Detailed comparison of negotiations in Rwanda and Burundi demonstrates that multi-party negotiations present additional barriers to peace not found in two party conflicts. In addition, conflicts with more veto players produce more casualties, are more likely to involve genocide and are followed by shorter periods of peace. Because they present many barriers to peace, the international community has a poor track record of resolving multi-party conflicts. David Cunningham shows that resolution is possible in these wars if peace processes are designed to address the barriers that emerge in multi-party conflicts.
A crow makes a journey to find out what happens to the winter snow.
Merce Cunningham reached the age of 75 in 1994, an age at which many creative artists are content to rest on their laurels, or at least to leave behind whatever controversies they may have caused during their careers. No so Cunningham. In the first place, his 70s have been a time of intense creativity in which he has choreographed as many as four new works a year. Cunningham is a strongly committed as ever to the discovery of new ways of moving and of making movement, refusing to be hampered by the physical limitations that have come with age. Since 1991 every new work has been made at least in part with the use of the computer program Life Forms, which enables him to devise choreographic phrases that he himself would be unable to perform - and which challenge and develop the virtuosity of the young dancers in his company. The essays collected in this special issue of Choreography and Dance were written over the last few years and discuss various aspects of the work of Cunningham as seen both from the outside and the inside.
Theologian and writer David Cunningham draws from novels, poems, and plays to give a resource for humans who face suffering, death, and new life. He provides a religious reading of important literary texts, with three studies for each of the three themes--drawn together by the weekly sequence of Friday-Saturday-Sunday and the events of Good Friday, Holy Saturday, and Easter Sunday. These reflections on universal experiences are enriched by Cunningham's presentations of Christian perspectives which are significant resources for dealing with grief and pain, separation and absence, and transformation and renewal.