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War Stories
Plains Indian biographic rock art can be “read” by those knowledgeable in its lexicon. Presented is a lexicon of imagery, conventions, and symbols used by Plains Indians to communicate their warfare and social narratives. The reader is introduced to Plains Indian “warrior” art in all media, biographic art as picture writing is explained, and the lexicon is described, providing a pictographic “dictionary,” and explains conventions and connotations. Finally, it illustrates four key examples of how these narratives are read by the observer. Familiarity with the lexicon will enable interested scholars and laypersons to understand what are otherwise enigmatic rock art drawings found from Calgary, Alberta through ten U.S. states, and into the Mexican state of Coahuila.
War Stories
Plains Indian biographic rock art can be “read” by those knowledgeable in its lexicon. Presented is a lexicon of imagery, conventions, and symbols used by Plains Indians to communicate their warfare and social narratives. The reader is introduced to Plains Indian “warrior” art in all media, biographic art as picture writing is explained, and the lexicon is described, providing a pictographic “dictionary,” and explains conventions and connotations. Finally, it illustrates four key examples of how these narratives are read by the observer. Familiarity with the lexicon will enable interested scholars and laypersons to understand what are otherwise enigmatic rock art drawings found from Calgary, Alberta through ten U.S. states, and into the Mexican state of Coahuila.
Visions in the Mist
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Fraternity of War
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Introduction to Rock Art Research
First published in 2005, this brief introduction to methods of studying rock art has become the standard text for courses on this topic. It was also selected as a Choice Magazine Outstanding Academic Book in 2005. Internationally-known rock art researcher David Whitley takes the reader through the various processes needed to document, interpret, and preserve this fragile category of artifact. Using examples from around the globe, he offers a comprehensive guide to rock art studies of value to archaeologists and art historians, their students, and rock art aficionados. The second edition of this classic work has additional material on mapping sites, ethnographic analogy, neuropsychological models, and Native American consultation.
A Cosmos in Stone
Collected articles of the world's preeminent rock art researchers and cognitive archaeologists.
American Indian Rock Art - Volume 47
American Indian Rock Art, published continuously since 1975, is the country's premier series of volumes dedicated to research on rock art as presented at the annual conferences of the American Rock Art Research Association (ARARA). This volume contains 16 papers submitted for publication during the Covid-19 pandemic year of 2020, when the annual conference was cancelled. Topics cover documentation, interpretation, and technical analyses of numerous sites in the Plains and Greater Southwest regions and beyond with over 350 illustrations, most in color.
Archaeological Perspectives on Warfare on the Great Plains
The Great Plains has been central to academic and popular visions of Native American warfare, largely because the region’s well-documented violence was so central to the expansion of Euroamerican settlement. However, social violence has deep roots on the Plains beyond this post-Contact perception, and these roots have not been systematically examined through archaeology before. War was part, and perhaps an important part, of the process of ethnogenesis that helped to define tribal societies in the region, and it affected many other aspects of human lives there. In Archaeological Perspectives on Warfare on the Great Plains, anthropologists who study sites across the Plains critically examin...
