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A century from now, Boston is like no other place on Earth: an enormous Cube containing millions of human and alien beings. Boston is slowly sinking, but it's also the site of Earth's only interstellar port-a gateway that has brought dozens of extraterrestrial races to the Cube. Beverly O'Meara is a private detective, a finder of lost people and things. Akktry, her partner, is a small, sharp-clawed animal that has an inhuman affinity with the past, able to recreate the history of any place or person from the remains of the present. A useful talent for a detective... Especially since the most powerful-and hated-woman in the Cube has hired Beverly to track down her missing daughter. Especially since Diana Sherwood's trail leads straight into the Basement, the oldest, lowest, most dangerous part of Boston. The part below sea level. The part you can down in... "In the Cube is David Alexander Smith's best book.... Not only do his humans live and breathe, but he has drawn some of the strangest and most convincing aliens you'll ever meet." -Hugo, Nebula, and Locus award-winning author James Patrick Kelly
First published in 1976, this book provides an interdiciplinary study fo the thoughts of Adam Smith, showing it particular how the link between economic basis and social superstructure was central to his work. The work is split into six sections, dividing Smith's views along the following lines: 'methology', 'conduct and character', 'consumer behaviour', 'the upper classes', 'the lower classes', and finally 'the State'.
Boston is slowly sinking into the sea. The citizens of Boston plan a revolution against the governments of Earth. Alien races occupy the city and must decide if the human race deserves full galactic citizenship-or total destruction. Future Boston is the sweeping saga of a handful of dreamers-artists and scientists, scufflers and survivors, revolutionaries and thieves-who dream of a new society as their ancestors did before them. From slums to Brahmin boardrooms, Future Boston is a rich mosaic of history and human drama, as real as the great metropolis that inspired it. Contributing authors: Jon Burrowes, Alexander Jablokov, Geoffrey Landis, Resa Nelson, Steven Popkes, David Alexander Smith, and Sarah Smith. "Adventure-filled... a wealth of evocative detail.... The real star is a painstakingly constructed future Boston." -Publishers Weekly "Future Boston is more than the sum of its parts-and its parts are very good." -Locus
This monograph brings together works by the two artists, not only shedding light on the richness of their individual practices, but also offering an opportunity to clearly see some shared interests and how much these artists actually had to say to each other. Contributions by Sarah Hamill and Elizabeth Hutton Turner inform about these artists' paths and their encounters and collaboration with photographer Ugo Mulas. Hamill looks closely at the many photographs Mulas took of Calder' and Smith's sculpture at the 1962 Festival of the Two Worlds, in Spoleto. Turner explores how and why Calder and Smith found common ground in their shared identification with the American culture of invention. Exhibition: Hauser & Wirth, Zurich, Switzerland (12.06.-16.09.2017).
"A thriller about a Black society with a secret"--
For an element so firmly fixed in American culture, the frontier myth is surprisingly flexible. How else to explain its having taken two such different guises in the twentieth century—the progressive, forward-looking politics of Rough Rider president Teddy Roosevelt and the conservative, old-fashioned character and Cold War politics of Ronald Reagan? This is the conundrum at the heart of Cowboy Presidents, which explores the deployment and consequent transformation of the frontier myth by four U.S. presidents: Theodore Roosevelt, Lyndon B. Johnson, Ronald Reagan, and George W. Bush. Behind the shape-shifting of this myth, historian David A. Smith finds major events in American and world hi...
Looks at David Smiths sculptural work
This is the enthralling story of the extraordinarily courageous and stoical wife of the world-renowned explorer and missionary, David Livingstone. In the history books, Mary Livingstone is a shadow in the blaze of her husband's sun, a whisper in the thunderclap of his reputation. Yet she played an important role in Livingstone's success and her own feats as an early traveller in uncharted Africa are unique. She was the first white woman to cross the Kalahari, which she did twice - pregnant - giving birth in the bush on the second journey. She was much more rooted in southern Africa than her husband: he has a tomb in Westminster Abbey, London; she has an obscure and crumbling grave on the banks of the Zambezi in a destitute region of Mozambique. In the thrall of Africa, the author has travelled extensively over several years in the footsteps of Mary Livingstone, from her birthplace in a remote district of South Africa to her grave on the Zambezi. She explores the places the Livingstones knew as a couple and, above all, explores the detail of the life and family of this little-known figure in British - but not African - history.
Origins & Innovations brings together David Smith's (1906-65) early paintings, drawings and sculptures, alongside seminal later works that reimagine the possibilities of abstraction in three dimensions. This presentation investigates the origins of a renowned artistic innovator, highlighting Smith's exploration and embrace of diverse sources that inspired a radically new language for sculpture. Shown not as a linear narrative but as a rich and dynamic whole, the publication reveals surprising juxtapositions that shed new light on Smith's lasting artistic legacy. In a new essay, Edith Devaney, Curator at the Royal Academy of Arts in London, explores Smith's practice as it relates to and goes beyond the relevant movements of his time such as cubism and abstract expressionism. His willingness to approach artmaking from multiple vantage points--drawing, painting, photography and, of course, sculpture--was the basis of his artistic method and the source of his oeuvre's dynamism.
A massive compendium on the multimedia art of Rashid Johnson, tackling themes of Black history, literature, philosophy and material culture Rashid Johnson (born 1977) is renowned for challenging the assumptions often present in collective notions of Blackness. Based in New York, Johnson is among an influential group of American artists whose work employs a wide range of materials and images to explore themes of art history, literature, philosophy, and personal and cultural identity. After beginning his career working primarily in photography, Johnson has expanded into a variety of mediums, including text work, sculptural objects, installation, painting, drawing, collage, film, performance an...