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You may want to know what this book is about. It isnt about the end of the world. Rather, it is an open portal to what the Bible says is an inevitable future when God reconciles His creation to Himself. Part of that reconciliation will be when He steps into time and space and says, Times up, now the judgment. The Arm of the Lord is a Hebrew idiom for the power of Yahweh (????), excerpted from Isaiah 53:1. It isnt coincidental that the magnificent 53rd chapter of Isaiah, the Suffering Servant, starts with this preamble. The power of God examined in this story is Gods power to redeem fallen mankind without compromising His righteousness.
In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth. Highlighting the work of major painters such as David, Girodet, Gerard, Ingres, and Delacroix and sculptors such as Houdon and Pajou, David to Delacroix reveals how these artists offered innovative reinterpretations of myth while incorporating contemporaneous and revolutionary discoveries in the disciplines of anatomy, biology, physiology, psychology, and medicine. The ...
The Eloquent Oboe is a history of the hautboy, the oboe of the Baroque period. It reflects recent interest in this instrument, which was the first of the woodwinds to join with strings in creating the new orchestra, and had by the end of the 20th century again become a regular presence on the concert scene. Between 1640 and 1760 this type of oboe underwent dramatic changes in both function and physical form, and the majority of its solo and chamber repertoire appeared. Haynes examines in detail the hautboy's structure, its players, makers, and composers, issues of performing style and period techniques, how and where the instrument was played, and who listened to it.
Contents -- Introduction -- 1. Men of Letters, Men of Feeling -- 2. Working Together -- 3. Love, Proof, and Smallpox Inoculation -- 4. Enlightening Children -- 5. Organic Enlightenment -- Conclusion -- Acknowledgments -- Notes -- Index
Just a few hours before she is murdered, a foreign stranger claims she is a close relative of investigative filmmaker Maggie MacGowen. It is a truism that “it’s a wise child who knows its father.” The same can apply to a mother, since we must believe and take for granted as true what our family tells us about our own early years. But what if you “remember” places you’ve never been, speak a language you’ve never been taught? What if your nearest and dearest are all involved in a conspiracy to cover up your true origins? In The Paramour’s Daughter, Maggie MacGowen is thrown into this parallel universe, trying to remember “the ghosts of comfort, fear, or love” from her earli...
How do we know what we know about saints?
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"Well-known specialists in art history, gender studies, French literature, and aesthetics address a wide range of issues and problems pertaining to the intersection of art and culture that have profound implications for artistic and historical developments in late-eighteenth and early-nineteenth century France and Europe. The essays present new historical, archival, and interpretative material from diverse methodological vantage points in clear and lucid prose that makes the volume particularly accessible to a broader public interested in learning more about the artist and his time. The text is complemented by seventeen black-and-white plates and fifty-five figures."--Jacket.