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Committed to Disillusion
Arabic literature; Egypt; 20th century; history and criticism.
Taha Hussein's The Days
Volume one of Taha Hussein's classic work, unabridged, and supported with robust comprehension, interpretation, and analytical exercises, for advanced learners of Arabic Taha Hussein’s autobiographical novel The Days helped usher in the era of modern Arabic writing and remains one of the most influential and best-known works of Arabic literature. With this guided study, the complete first volume of the novel is accessible to students of Arabic in a way never previously available. While Arabic literature provides a vast body of texts as a window into diverse cultures and eras, the lack of useful teaching material has often forced teachers to spend much of their time creating supplemental ma...
From Ibn Sina to Sindbad
A unique textbook of guided readings from the great works of Arabic prose for advanced level students of Classical Arabic literature From Ibn Sina to Sindbad makes some of the greatest works of the Golden Age of Arab Civilization accessible to Arabic students at the mid- to high-advanced level of proficiency, while also providing a ready curriculum for teachers of Advanced Arabic. It introduces students to classical Arabic literature through twenty guided and scaffolded readings of works spanning prose genres from travel writing to philosophy, science, religion, humor, and imaginative fiction, including texts by al-Jahiz, al-Kindi, Ibn Khaldun, and Ibn Rushd. Original texts are supplemented with supporting explanatory material, to make them accessible to students, who then progress through an extensive series of exercises to test their comprehension, develop interpretive and critical reading skills, and apply the linguistic structures to their own speaking and writing. Each of the twenty lessons is designed to stand alone for classroom use or individual study, making it a most valuable resource for students and teachers alike.
The Elephant's Foot
Maintaining the healthy foot condition of captive Asian and African elephants is one of the most important yet most difficult tasks for zookeepers, veterinarians, and researchers. Recognizing the need for a convenient and comprehensive health care manual, Blair Csuti, Eva Sargent and Ursula Bechert present The Elephant's Foot. Born out of a national conference on elephant care and physiology, this book is backed by 46 of the foremost authorities on the subject. After a general overview of the elephant foot's anatomy and physiology, The Elephant's Foot leads practitioners through recognition, prevention, and treatment of a variety of foot problems. From nail infections to foot abcesses, readers will find this text contains solutions for most foot troubles with remedies or additional recommendations. This book will support anyone simply studying elephants or those working with elephants on a daily basis.
Monster Roster
Monster Roster: Existentialist Art in Postwar Chicago (on view at the Smart Museum in winter/spring 2016) will be accompanied by a comprehensive publication--the first of its kind--that includes an introductory essay by critic and collector Dennis Adrian; an overview of the Monster Roster by John Corbett; an essay about the historical context out of which the Monster Roster emerged by historian Thomas Dyja; a discussion of Monster Roster prints by art historian and curator Marc Pascale; an in depth look at Leon Golub's early work by art historian Jon Bird; and a personal response to the Monster Roster's work by contemporary artist Arlene Shechet. There will also be historic reprints of key texts including Franz Schulze's 1972 essay "Chicago: The Setting and the Group" from Fantastic Images: Chicago Art Since 1945 as well as Jean Dubuffet's lecture "Anticultural Positions" given at the Arts Club of Chicago in 1951. The publication will also contain full-color reproductions of all work on view in Monster Roster, a detailed chronology and exhibition history, and reproductions of ephemera and historical photographs.
One Place after Another
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of s...
