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The Detective of Modernity
This book explores the thought of – and is dedicated to – David Frisby, one of the leading sociologists of the late twentieth and early twenty-first centuries. Presenting original examinations of his unique social theory and underlining his interdisciplinary approach to the critical interpretation of modern metropolitan society and culture, it emphasises Frisby’s legacy in highlighting the role of the social researcher as a collector, reader, observer, detective and archivist of the phenomena and ideas that exemplify the modern metropolis as society. With contributions from sociologists, cultural theorists, historians of the city, urban geographers and designers, and architectural historians and theorists, The Detective of Modernity constitutes a wide-ranging engagement with Frisby’s profound legacy in social and cultural theory.
Georg Simmel
Until recently little of Simmel's work was available in translation and certain key texts were unknown outside Germany. David Frisby, the eminent Simmel scholar, provides not only an introduction to the major sociological writings of this important figure, but also an argument for a reconsideration of his work. The author outlines the cultural and historical context in which Simmel worked; reviews Simmel's most important writings; and examines his legacy to sociology by illuminating his links with Weber's theories and his influential relationship with Marxism. Simmel, a central figure in the development of modern sociology, and a contemporary of Weber and Durkheim, was one of the first to identify sociology as a separate discipline. His ideas influenced Weber, the Chicago School, and many later sociologists. His introduction of a number of basic concepts to sociology, such as exchange, interaction and differentiation, attest to his intellectual stature and the far-reaching significance of his work.
Cityscapes of Modernity
The modern metropolis has been one of the crucial sites for the exploration of modernity since at least the mid-nineteenth century. In this new volume, David Frisby provides an original and critical examination of the construction and experience of metropolitan modernity. Drawing on a rich variety of sources, Frisby seeks to reveal some key features of metropolitan experience in modernity. Among the issues examined are Benjamin's account of the flaneur and its relevance for social investigation and urban detection; Simmel's influential essay on the metropolis; contrasting interpretations of fin-de-siecle Berlin and Vienna by Sombart; the work of Otto Wagner; and the response to the modern metropolis as highlighted in German Expressionism and Weimar Berlin. Cityscapes of Modernity will be a valuable text for students of sociology, social theory, urban theory, cultural studies and architectural history, as well as all those interested in the urban culture of modernity.
Fragments of Modernity (Routledge Revivals)
Fragments of Modernity, first published in 1985, provides a critical introduction to the work of three of the most original German thinkers of the early twentieth century. In their different ways, all three illuminated the experience of the modern urban life, whether in mid nineteenth-century Paris, Berlin at the turn of the twentieth century or later as the vanguard city of the Weimar Republic. They related the new modes of experiencing the world to the maturation of the money economy (Simmel), the process of rationalization of capital (Kracauer) and the fantasy world of commodity fetishism (Benjamin). In each case they focus on those fragments of social experience that could best capture the sense of modernity.
Georg Simmel
This collection brings together the essential secondary literature on Simmel. Selected and edited by David Frisby - a scholar who has perhaps done more than anyone to rehabilitate Simmel's reputation. Both a consise and comprehensive work.
Society
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The Flâneur
The Flaneuris usually identified as the "man of the crowd" of Edgar Allan Poe and Charles Baudelaire, and one of the heroes of Walter N. Benjamin's Arcades Project. The Flaneur'sactivity of strolling and loitering is mentioned increasingly frequently in sociology, cultural studies and art history but very rarely is the debate developed. This book shows that the debate does not begin and end with Baudelaire and Benjamin. The Flaneurcenters around a series of original essays which provide hitories of the origins of the Flaneurand Flanerie. It raises many questions such as whether we have to walk the streets to indulge in Flanerie; how the city is a gendered space; and how Flaneriemight be possible from the safety of our dining tables. Keith Tester also raises important questions about the status of sociological and cultural studies.
Metropolis Berlin
“Metropolis Berlin evokes a kaleidoscopic panorama of impressions, opinions, and utopian hopes that constituted Berlin from the end of Imperial Germany to the rise of National Socialism. Iain Boyd Whyte and the late David Frisby invite the reader to be a flâneur in a truly great city, to marvel at the vitality of its urban spaces, and to listen to the cacophony of its voices and sounds. This extraordinary anthology of hundreds of documents tells the story of metropolitan Berlin by letting its inhabitants, visitors, and critics speak. A must have for every personal bookshelf and library.”—Volker M. Welter, Professor for Architectural History, University of California at Santa Barbara "Metropolis Berlinis not merely a magnificent compendium of sources, but is also an exciting work of scholarship in its own right. It presents this global city, in all its architectural, urbanistic, and discursive richness and complexity, like no other volume before it."—Frederic J. Schwartz, author of Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany.
Sociological Impressionism (Routledge Revivals)
When Sociological Impressionism was first published in 1981, it was the first comprehensive study on Simmel’s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel’s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a formal sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.
The Spaces of the Modern City
It historicizes the contemporary discussion of urbanism, highlighting the local and global breadth of the city landscape. This interdisciplinary collection examines how the city develops in the interactions of space and imagination. The essays focus on issues such as street design in Vienna, the motion picture industry in Los Angeles, architecture in Marseilles and Algiers, and the kaleidoscopic paradox of post-apartheid Johannesburg. They explore the nature of spatial politics, examining the disparate worlds of eighteenth-century Baghdad, nineteenth-century Morelia. They also show the meaning of everyday spaces to urban life, illuminating issues such as crime in metropolitan London, youth culture in Dakar, "memory projects" in Tokyo, and Bombay cinema.
