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**Please note we have a few edits and updates for THE HIGH SIERRA: Peaks, Passes, Trails, 3rd Ed. Please download the edits HERE so your copy reflects the appropriate changes and additions. Thank you.** "The Sierra climbing bible" - The Los Angeles Times "The best field guide to the region." - Men's Journal "The guide to the Sierra Nevada high country." - Climbing magazine * More than 100 new routes, route variations, and winter ascents in this edition compared to the previous * User friendly organization * Author has made more than 350 ascents in the Sierra High Sierra is the most popular guidebook to this magnificent mountain range, and has long been the definitive source of climbing and hiking information for this wonderland. This comprehensive and exhaustive guidebook includes route descriptions, historical information, and GPS-enabled driving directions. This edition rearranged the information to keep roads and trails, and passes and peaks together, making the book easier to use.
Theater and drama professionals and professors address the role of Paris as an international theater city and the intercultural webs of Parisian theater. Essays address Peter Brook and Le Centre International de Creations Theatrales; Jacques Lecoq and his "Ecole Internationale de Theatre" in Paris; Ariane Mnouchkine and the Theatre du Soleil; and Augusto Boal and the Theatre de l'Opprime. In the second part, the input of different national theater traditions to the internationalism of Paris is explored, including Germany, Russia, Spain, Argentina, the US, and Africa. Distributed by Palgrave. c. Book News Inc.
Nepal is far more then a few video nights in Kathmandu and a brief taste of the Himalayas. This book gives a tempting and comprehensive view of where to go and what to do in the farthest reaches of this little-known country. With tips on learning Nepali, where to spend a day or two as a volunteer, where to embark upon a course of meditation, as well as favorite places to eat, shop, and explore, To Nepal With Love gives travelers the chance to enjoy and xperience the country as residents and knowledgeable travelers do.
Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art.
This book examines the development and issuance of the Balfour Declaration, the document that set the stage for the creation of the state of Israel, within its global setting. The heart of the book demonstrates that the Declaration developed and contributed to a juncture in a global dialogue about the nature and definition of nation at the outset of the twentieth century. Embedded in this examination are gendered, racial, nationalistic, and imperial considerations. The work posits that the Balfour Declaration was a specific tool designed by the manipulation of these ideas. Once established, the Declaration helped, and hindered, established imperial powers like the British, nascent imperial powers like the Japanese and Indians, and emerging nationalist movements like the Zionists, Irish, Palestinians, and East Africans, to advocate for their own vision of national definition.
Diplomats had multiple tasks: not only negotiating with the representatives of other states, but also mediating culture and knowledge, and not least elaborating reports on their observations of politics, society, and culture. Culture, according to the studies featured in this book, is defined as a complex sphere including aspects like systems of communication, literature, music, arts, education, and the creation of knowledge. This edition containing contributions from six conferences held in Vienna and Istanbul by the Don Juan Archiv Wien focuses on the complex diplomatic and cultural relations between the Ottoman Empire and Europe from the time of the early embassies to Istanbul up to "Tanzimat".
This book examines the French theatricalization of India from 1770 to 1865 and how a range of plays not only represented India to the French viewing public but also staged issues within French culture including colonialism, imperialism, race, gender, and national politics. Through examining these texts and available performance history, and incorporating historical texts and cultural theory, David Hammerback analyses these works to illustrate a complex of cultural representations: some contested Orientalism, some participated in Western colonialist discourses, while some can be placed somewhere between these two markers of ideology in Western culture and the arts. He also assesses the works which participated in shaping the theatrical face of Western hegemony, ones directly participating in Orientalism as delineated by Edward Said and others. This book will be of great interest to students and scholars in theatre, French literature, history and cultural studies.
A comprehensive diplomatic and military history of the Russian conquest of Central Asia, spanning the whole of the nineteenth century.
By comparing different screen adaptations of the story of Rómulo Gallegos’s notorious villainess, Doña Bárbara Unleashed reveals how over the years subversively strong female characters have become increasingly accepted by society and welcomed by audiences.