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"'The air is on fire' is the first exhibition to comprehensively present David Lynch's work as a visual artist. Created for the Fondation Cartier pour l'art contemporain and shown in Paris from March 3 to May 27, 2007, it includes diverse forms of his artistic expression, culled from his extensive collection of his own artwork that dates back to 1965. Initially trained as a painter, he has continued to prolifically produce artwork - from paintings to photographs to drawings - throughout his career as a filmmaker, and has broadened his practice to include animation, music composition and sound production." - page [15]
Michel Chion's study of the film and television work of David Lynch has become, since its first English publication in 1995, the definitive book on one of America's finest contemporary directors. In this new edition Chion brings the book up-to-date to take into account Lynch's work in the past ten years, including the major features 'Lost Highway, The Straight Story,' and 'Mulholland Drive. 'Newly redesigned and re-illustrated, 'David Lynch 'is an indispensable companion.
We live in a world of optical marvels - from the commonplace but beautiful rainbow, to the rare and eerie superior mirage. But how many of us really understand how a rainbow is formed, why the setting sun is red and flattened, or even why the sky at night is not absolutely black? This beautiful and informative guide provides clear explanations to all naturally occurring optical phenomena seen with the naked eye, including shadows, halos, water optics, mirages and a host of other spectacles. Separating myth from reality, it outlines the basic principles involved, and supports them with many figures and references. A wealth of rare and spectacular photographs, many in full color, illustrate the phenomena throughout. In this new edition of the highly-acclaimed guide to seeing, photographing and understanding nature's optical delights, the authors have added over 50 new images and provided new material on experiments you can try yourself.
The editors, William J. Devlin and Shai Biderman, have compiled an impressive list of contributors to explore the philosophy at the core of David Lynch's work. Lynch is examined as a postmodern artist and the themes of darkness, logic and time are discussed in depth.
"Prize-winning film director David Lynch is one of those unconventional artists who creates a world so off-beat and eccentric that it takes on its own hyperreality. Surreal and mind-bending, Lynch's film creations hypnotize the viewer with their hallucinatory, morally ambiguous depictions of violence, lust, and human degradation." "In this new study of David Lynch and his filmmaking art, Kenneth C. Kaleta has completed in-depth research to get close to his elusive subject, tracking down traces at such filming locations as Snoqualmie, Washington - where the hit television series "Twin Peaks" (1990) was shot - and London, England, scene of The Elephant Man (1980). Kaleta also conducted reveali...
Part of James Atlas's Icons series, a revealing look at the life and work of David Lynch, one of the most enigmatic and influential filmmakers of our time
The Field Guide to the San Andreas Fault (published by Thule Scientific and distributed by Sunbelt Publications) allows one to get up close and personal to the San Andreas Fault. See and touch the world's most famous fault on one of twelve easy day trips between Cape Mendocino and the Mexican Border. The book includes over 200 full-color photographs and illustrations, mile-by-mile road logs, GPS coordinates for hundreds of fault features, accurate fault coordinates to within 100 feet, complete geologic explanations, and a glossary. Many of the annotated routes have side trips to seldom visited locales. The day trips are designed to be relaxing, leading to uncrowded areas with spectacular scenery, perfect for family getaways. No off-road vehicle is needed.
This text, devoted entirely to cirrus clouds, captures the state of knowledge of cirrus clouds and serves as a practical handbook as well.
A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynch’s work. This volume revels in the weird dynamism of Lynch’s plastic worlds. Exploring the range of modern design idioms that inform Lynch’s films and signature mise-en-scène, Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynch’s films, an uncertain way of feeling essential to Lynch’s art, and the prime matter of Lynch’s strange picture of the human...