You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Hanlons—a family of six brothers from Manchester, England—were one of the world’s premiere performing troupes in the mid-nineteenth and early twentieth centuries, yet their legacy has been mostly forgotten. In The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833–1931, Mark Cosdon carefully documents the careers of this talented family and enumerates their many contributions to modern popular entertainment. As young men, the Hanlons stunned audiences all over the world with their daring acrobatic feats. After a tragic accident severely injured one brother (and indirectly led to his suicide in a manner achievable only by someone with considerable acrobatic ta...
Conrad’s Drama: Contemporary Reviews and Observations collects both book reviews and performance reviews of Conrad’s three plays: The Secret Agent, One Day More, and Laughing Anne. These reviews and observations show how Conrad’s plays were received by his contemporaries. More than this, however, Conrad’s Drama reveals the larger conversations surrounding his plays: the state of British drama in the early 20th century, the role the drama critic has in a play’s reception, and the difficulty most fiction writers experience in trying to write for the stage. No other reference work exists for those studying Conrad’s plays, and this volume should prove to be an indispensable reference work for those working on this topic. Conrad’s Drama received an Honorable Mention in the Joseph Conrad Society of America’s Adam Gillon Book Prize in Conrad Studies for books published 2018-2020.
This collection re-examines the works and life of Arthur Conan Doyle from multiple disciplinary perspectives. It proposes new ways of studying Conan Doyle, and considers overlooked or neglected aspects of his oeuvre, offering fresh perspectives on the multiple genres of his fiction and his relationship to contemporary writers and movements.
In 1925, the 22-year-old Kenneth Clark (1903–1983) and the legendary art critic and historian Bernard Berenson (1865–1959) met in Italy. From that moment, they began a correspondence that lasted until Berenson’s death at age 94. This book makes available, for the first time, the complete correspondence between two of the most influential figures in the 20th-century art world, and gives a new and unique insight into their lives and motivations. The letters are arranged into ten chronological sections, each accompanied by biographical details and providing the context for the events and personalities referred to. They were both talented letter writers: informative, spontaneous, humorous, gossipy, and in their frequent letters they exchanged news and views about art and politics, friends and family life, collectors, connoisseurship, discoveries, books read and written, and travel. Berenson advised Clark on his blossoming career, warning against the museum and commercial art worlds while encouraging his promise as a writer and interpreter of the arts. Above all, these letters trace the development of a deep and intimate friendship.
The Oxford Movement began in the Church of England in 1833 and extended to the rest of the Anglican Communion, influencing other denominations as well. It was an attempt to remind the church of its divine authority, independent of the state, and to recall it to its Catholic heritage deriving from the ancient and medieval periods, as well as the Caroline Divines of 17th-century England. The Oxford Movement and Its Leaders is a comprehensive bibliography of books, pamphlets, chapters in books, periodical articles, manuscripts, microforms, and tape recordings dealing with the Movement and its influence on art, literature, and music, as well as theology; authors include scholars in these fields, as well as the fields of history, political science, and the natural sciences. The first edition of The Oxford Movement and Its Leaders and its supplement contained comprehensive coverage through 1983 and 1990, respectively. The Second Edition, with over 8,000 citations covering many languages, extends coverage through 2001; it also includes many earlier items not previously listed, corrections and additions to earlier items, and a listing of electronic sources.
This book traces the often sharply differing perspectives historians have formed with regard to the key incidents in the careers of the two foremost politicians of the Victorian age – Gladstone and Disraeli. Following the parallel careers of both men, it focuses upon a series of contentious questions, ranging from why Disraeli opposed Corn Law repeal in 1846 and Gladstone abandoned his High Tory politics for Peelism, to whether Disraeli was ever an Imperialist and why Gladstone took up the cause of Irish Home Rule. By juxtaposing the contrasting interpretations advocated by historians, it brings home to students how history is a continually evolving subject in which every generation poses new questions, or reformulates answers to old ones – encouraging those studying the subject to realise that history is an ongoing dialogue to which they are called upon to contribute.
The intellectual history of pragmatism traditionally posits that its origins are found in the works of C. S. Peirce, William James, and John Dewey. What if that story is only partially true? Ferdinand Canning Scott Schiller, the foremost first generation British pragmatist, was one of the most vocal proponents of pragmatism in the late 1800s and early 1900s. He penned over a dozen books, authored hundreds of essays and reviews, and sought to popularize the philosophy of practicalism. Yet in the years before and after his death, both he and his critics engaged in arguments that helped to erase him from the story of pragmatism. F. C. S. Schiller and the Dawn of Pragmatism: The Rhetoric of a Ph...
With the psychologically penetrating insight that marked his award-winning "Hemingway", Lynn probes beneath the mystique of the "Little Tramp", the first true worldwide celebrity, whose unmatched comic genius masked a complex, sometimes tragic life. of photos.