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Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or "allegories of the heart" as he termed some of his short stories. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was."--BOOK JACKET.
When an elderly English scholar discovers his young wife in the pillory, cradling an illegitimate child and wearing a scarlet A for Adulteress, he disguises himself as a doctor and begins a cruel and destructive search for the father of the child. Set in mid-seventeenth-century Boston, thispowerful tale of passion, puritanism, and revenge is one of the foremost classics of American literature. Covering the most recent developments in Hawthorne scholarship, this up-to-date edition contains full and detailed notes.
Cross-dressing in Shakespeare: a context for Elizabethan gender studies
In the view of David Leverenz, such nineteenth-century American male writers as Emerson, Hawthorne, Melville, Thoreau, and Whitman were influenced more profoundly by the popular model of the entrepreneurial "man of force" than they were by their literary precursors and contemporaries. Drawing on the insights of feminist theory, gender studies, psychoanalytical criticism, and social history, Manhood and the American Renaissance demonstrates that gender pressures and class conflicts played as critical a role in literary creation for the male writers of nineteenth-century America as they did for the women writers. Leverenz interprets male American authors in terms of three major ideologies of m...
"Barlowe examines the causes and consequences of the continuing disregard for women's scholarship. To that end, she chronicles The Scarlet Letter's critical reception, analyzes the history of Hester Prynne as a cultural icon in literature and film, rereads the canonized criticism of the novel, and offers a new reading of Hawthorne's work by rescuing marginalized interpretations from the alternative canon of women critics."--BOOK JACKET.
In 1980, when my book on Puritans had just come out, one of my more well-known colleagues sat down in my office to read the jacket flap. 'Oh, ' He said, with a touch of disdain. 'You're actually saying something.' This book, too, is actually saying something-more readably, I hope. My colleague's spontaneous reaction expressed the prevailing postromatic values of the profession, which dazzle of critical sensibility playing over texts.
This book is an analysis of the social criticism and the political implications of rhetorical strategies in personal-political (nonfictional) narratives by liberal American writers from the 18th century till the 1970s. Using the theories of Mikhail Bakhtin, Schueller examines works by Benjamin Franklin, Henry David Thoreau, Henry James, Henry Adams, Jane Addams, James Agee, Norman Mailer, and Maxine Hong Kingston.
Renza, Shawn Rosenheim, and Laura Saltz.--Kenneth Dauber, State University of New York, Buffalo
Brian McHale provides a series of readings of a wide range of postmodernist fiction, from Eco's Foucault's Pendulum to the works of cyberpunk science-fiction, relating the works to aspects of postmodern popular culture.
Why do narratives of Indian captivity emerge in New England between 1682 and 1707 and why are these texts, so centrally concerned with women's experience, supported and even written by a powerful group of Puritan ministers? In The Captive's Position, Teresa Toulouse argues for a new interpretation of the captivity narrative—one that takes into account the profound shifts in political and social authority and legitimacy that occurred in New England at the end of the seventeenth century. While North American narratives of Indian captivity had been written before this period by French priests and other European adventurers, those stories had focused largely on Catholic conversions and martyrd...