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Soar
McAllister's triumphant story.' Benjamin Law 'A ripping memoir.' Jane Turner From the backblocks of Perth to international stardom, this is a story of courage to fight against the odds for your passion and succeed. David McAllister has always belonged onstage. As the middle child in a Catholic family who knew nothing about dance, he watched himself twirl in the reflective glass of the TV and dreamed about becoming the next Rudolf Nureyev. As a little boy taking ballet lessons, he was mercilessly bullied. As a young man joining the ranks of The Australian Ballet, he worried that he would never play the prince because he lacked the height and lean limbs of a classical dancer. Every time he hea...
Killing David McAllister
Everyone wants to kill David McAllister in this explosive conclusion.
Ballet Confidential
Beyond the formidable combination of tulle and lycra, how much can an audience ever truly understand about the demands of being a ballet dancer? What really is the pain and pleasure of pointe shoes and jockstraps? Can a wardrobe malfunction derail a scene? What happens when injury sidelines a principal dancer mid-show? Here is your tell-all guide, an all-access pass for ballet lovers and the ballet-curious by internationally acclaimed dancer and former artistic director of The Australian Ballet, David McAllister. From toe acting, to the perils of partnering and onstage/offstage romances, David answers in intimate detail everything you have ever wanted to know about ballet but were too afraid...
From Custody to Community
This work offers a concise historical analysis of the emergence of the concept of throughcare, which has become a central feature of prison regimes and probation supervision. It presents a detailed description of what throughcare means in practice for young offenders serving a custodial sentence.
The Sleeping Beauty
The story of The Sleeping Beauty spills over with fairies and princes, passion and despair, magnificence and splendor, and the ballet version of this classic tale is the most romantic and spectacular of all. Australian Ballet Creative Director David McAllister's impressive 2015 production of The Sleeping Beauty, ornamented by internationally celebrated designer Gabriela Tylesova's lavish costumes and sets, cast a spell of delight on its audiences, and was a sellout success. Now McAllister and Tylesova weave their magic again, transporting the enchantment of their production to the pages of this book. David's text and Gabriela's illustrations recreate the world of this favorite ballet for readers to enjoy again and again.
Imagining the Dead in British Literature and Culture, 1790–1848
This book offers the first account of the dead as an imagined community in the early nineteenth-century. It examines why Romantic and Victorian writers (including Wordsworth, Dickens, De Quincey, Godwin, and D’Israeli) believed that influencing the imaginative conception of the dead was a way to either advance, or resist, social and political reform. This interdisciplinary study contributes to the burgeoning field of Death Studies by drawing on the work of both canonical and lesser-known writers, reformers, and educationalists to show how both literary representation of the dead, and the burial and display of their corpses in churchyards, dissecting-rooms, and garden cemeteries, responded to developments in literary aesthetics, psychology, ethics, and political philosophy. Imagining the Dead in British Literature and Culture, 1790-1848 shows that whether they were lauded as exemplars or loathed as tyrants, rendered absent by burial, or made uncannily present through exhumation and display, the dead were central to debates about the shape and structure of British society as it underwent some of the most radical transformations in its history.
The Constitutional Amendment, Or the Sunday, the Sabbath, the Change and Restitution
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Domino
Homicide detective Marcus Thor is after the killer who murdered his sister's best friend. Unknown to him, this is someone from his past, someone bent on tearing Marcus' life apart piece by bloody piece, before enacting the ultimate revenge, taking Marcus Thor down. Once a marine sniper, Marcus is a new Detective partnered with his childhood friend and assigned to hunt down the killer before he can strike again. Balancing his religion and his work has never been easy, but as the killer gets closer to enacting the revenge he has longed for, Marcus may have to decide between right and wrong to end the killing spree.
Graveyard Gothic
Graveyard Gothic is the first sustained consideration of the graveyard as a key Gothic locale. This volume examines various iterations of the Gothic graveyard (and other burial sites) from the eighteenth century to the twenty-first, as expressed in numerous forms of culture and media including poetry, fiction, TV, film and video games. The volume also extends its geographic scope beyond British traditions to accommodate multiple cultural perspectives, including those from the US, Mexico, Japan, Australia, India and Eastern Europe. The seventeen chapters from key international Gothic scholars engage a range of theoretical frameworks, including the historical, material, colonial, political and religious. With a critical introduction offering a platform for further scholarship and a coda mapping potential future critical and cultural developments, Graveyard Gothic is a landmark volume defining a new area of Gothic studies.
