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Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries
Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. Ho...
Giants
A look at the top 300 most powerful players in world capitalism, who are at the controls of our economic future. Who holds the purse strings to the majority of the world's wealth? There is a new global elite at the controls of our economic future, and here former Project Censored director and media monitoring sociologist Peter Phillips unveils for the general reader just who these players are. The book includes such power players as Mark Zuckerberg, Bill Gates, Jeff Bezos, Jamie Dimon, and Warren Buffett. As the number of men with as much wealth as half the world fell from sixty-two to just eight between January 2016 and January 2017, according to Oxfam International, fewer than 200 super-co...
Leila's Hijack War
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A Companion to British Art
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world
Handbook on Agriculture, Biotechnology and Development
This book is a compendium of knowledge, experience and insight on agriculture, biotechnology and development. Beginning with an account of GM crop adoptions and attitudes towards them, the book assesses numerous crucial processes, concluding with detai
Too Much
First published in 1986, Too Much records the tumultuous period between 1960 and 1975 when, more than at any other time in history, the arts were a battleground for the conflicting forces of social change. With the new affluence of the Sixties the cultural conformism of the previous decade was rejected in favour of new forms of expression. Pop Art, pop music, fringe theatre and performance poetry helped to create the semi-mythological image of ‘Swinging London.’ The liberation ethic was feted as it masked the insecurities of a society in decline but, as a real political challenge to the status quo, it also led to conflict. The confrontation between official culture and the underground came in 1968, a year with its own mythical resonance. This book will be of interest to students of art, media studies and cultural studies.
