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The 24 essays offer penetrating insights into Dvorak's personality, his place in history, and the sheer beauty of his music. How this music was received and appreciated is a subject of special focus, offering explanations as to why, despite the composer's popularity, some of his greatest compositions have remained unknown.
Age no longer mattered as I watched and waited while my husband disappeared into the desert of dementia. I had to keep living while this happened and the realities set in. Do you think you know your family and friends? This is when you really find out. There are legalities to be considered, and what you thought was within your vows suddenly become non-existent. Blended families are an added burden to the legalities. If I looked at people as separate persons before, I really do now. Do we know how much of the responsibility for ourselves is unconsciously handed over to our marital partner? We find out when someone we love falls into the abyss of dementia and we have no way of helping. Dementi...
This book serves as an aid to anyone seeking to perform and gain a deeper understanding of this multi-layered opera, which so trenchantly asks what it means to be human, to love, and to be loved in return.
This wide-ranging study explores how Czech and German nationalism influenced the reception of Mozart's operas in Prague over the centuries. It demonstrates the role of politics in the construction of the Western musical canon, revealing how both Czech and German factions in Prague used Mozart's legacy to promote their political interests.
I am number 13 in a family of 17 children. We grew up on a farm where everyone did everything. No one was excluded from contributing to getting the chores done. It was hard work and we never lacked for anything that was important. There was sibling rivalry and a lot of laughter. We played as hard as we worked. Mom was the glue and the disciplinarian. The lesson ingrained was: Family is always important. Be true to yourself. Mom and Dad had their issues, yet you saw those flashes of love. I had the pleasure of getting to know my mother as a woman first. Once we developed that relationship, I have always respectfully treated every adult as a person first and parent second. As adults, we have needs and those needs do not always get met as parents. That gift alone is precious beyond words. A tear escaped my father while he read a piece I wrote for him. I have been writing all my life. Life changes have sparked my creative energy to write. This was not the book I began. This was the book that I always wanted to write: my poetry/prose.
John D. Kerkering's study examines the literary history of racial and national identity in nineteenth-century America. Kerkering argues that writers such as DuBois, Lanier, Simms, and Scott used poetic effects to assert the distinctiveness of certain groups in a diffuse social landscape. Kerkering explores poetry's formal properties, its sound effects, as they intersect with the issues of race and nation. He shows how formal effects, ranging from meter and rhythm to alliteration and melody, provide these writers with evidence of a collective identity, whether national or racial. Through this shared reliance on formal literary effects, national and racial identities, Kerkering shows, are related elements of a single literary history. This is the story of how poetic effects helped to define national identities in Anglo-America as a step toward helping to define racial identities within the United States. This highly original study will command a wide audience of Americanists.
Joy H. Calico examines the cultural history of postwar Europe through the lens of the performance and reception of Arnold Schoenberg's A Survivor from WarsawÑa short but powerful work, she argues, capable of irritating every exposed nerve in postwar Europe. Schoenberg, a Jewish composer whose oeuvre had been one of the NazisÕ prime exemplars of entartete (degenerate) music, immigrated to the United States and became an American citizen. Both admired and reviled as a pioneer of dodecaphony, he wrote this twelve-tone piece about the Holocaust in three languages for an American audience.ÊThis book investigates the meanings attached to the work as it circulated through Europe during the early Cold War in a kind of symbolic musical remigration, focusing on six case studies: West Germany, Austria, Norway, East Germany, Poland, and Czechoslovakia. Each case is unique, informed by individual geopolitical concerns, but this analysis also reveals common themes in anxieties about musical modernism, Holocaust memory and culpability, the coexistence of Jews and former Nazis, anti-Semitism, dislocation, and the presence of occupying forces on both sides of the Cold War divide.
Composer, conductor and violinist Will Marion Cook was a key figure in the development of American music from the 1890s to the 1920s. In this biography, Marva Griffin Carter writes about Cook's music, career and personality, drawing on both his unfinished autobiography and his wife Abbie's memoir.