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The Cold War
The Cold War dominated international relations for forty-five years. It shaped the foreign policies of the United States and the Soviet Union and deeply affected their societies, domestic situations and their government institutions. Hardly any part of the world escaped its influence. David Painter provides a compact and analytical study that examines the origins, course, and end of the Cold War. His overview is global in perspective, with an emphasis on the Third World as well as the contested regions of Asia and Central America, and a strong consideration of economic issues. He includes discussion of: the global distribution of power the arms race the world economy. The Cold War gives a concise, original and interdisciplinary introduction to this international state of affairs, covering the years between 1945 and 1990.
The Cold War
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Origins of the Cold War
This second edition brings the collection up to date, including the newest research from the Communist side of the Cold War and the most recent debates on culture, race and intelligence.
Origins of the Cold War
This second edition brings the collection up to date, including the newest research from the Communist side of the Cold War and the most recent debates on culture, race and intelligence.
A Painter's Progress
For nearly twenty years David Dawson was Lucian Freud’s assistant, companion, and model. Freud moved in rarefied, powerful circles and was tenacious about protecting his privacy. He also carefully avoided distraction. With few exceptions, he wanted only those he knew well, like the late Bruce Bernard, to photograph him. David Dawson, however, was in a unique position, and as Freud became comfortable in the presence of Dawson’s camera, photographing became part of the daily ritual of the studio. These photographs reveal in a most intimate way the subjects and the stages of paintings in progress. Few artists, if any, have had their lives and their work recorded over such a length of time. ...
How to See: Looking, Talking, and Thinking about Art
“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” —Salman Rushdie How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle’s friends and contemporaries—from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others—How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye.
Painter's Handbook
This book is intended to be a guide through the maze of basic information about some of the traditional and nontraditional painting materials and processes.
Bernard Frize
"This is the first full-length monograph on the paintings of Bernard Frize (b.1949), an artist whose work straddles movements and styles from Colour Field to Minimalism, Fluxus, and Conceptual Art. Frize's works utilise a carefully constructed range of tools, processes, choreography and collaboration to catalogue, in complex and unexpected abstract form and colour, the possibilities of his chosen materials. Emerging from the politicised 1970s onwards, Frize swam against the tide of opinion regarding painting's apparent obsolescence to develop a painting practice that could express political commitment and social concerns, while avoiding both overt statement and pure decoration. David Rhodes' text provides a detailed consideration of Frize's development, from the earliest works onwards. Placing his paintings in a broader art-historical and philosophical context, a wider conversation about painting itself is presented alongside Frize's significant place within the medium's history. Exhibition: Centre Pompidou, Paris, France (29.05.-26.08.2019)."--
A Painter's Camera
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