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Etel Adnan (b.1925) is a Lebanese-American poet, essayist and visual artist. This will be the first book to present a full account of Adnan's fascinating life and work, using the drama of her biography, the complexity of her identity, and the cosmopolitan nature of her experience to illuminate the many layers and dimensions of her paintings and their progress over several crucial decades. Adnan came relatively late to painting - her first images were created in the mid-1960s in response to the Californian landscape. Her vocabulary of lines, shapes and colours has changed little since then, and yet there are huge variations in mood, texture, composition and material. Similarly, there is a balance between understanding her paintings as pure abstractions, emulating the shape of thought, and seeing them for the actual landscapes of the many places Adnan has loved, embraced and responded to. Tackling the complexities of her subject with skill and insight, Kaelen Wilson-Goldie unpacks Adnan's multi-layered career to capture the full scope of her artistic endeavours and impressive achievements.
The remarkable plein air paintings of Liu Xiaodong (b.1963), which chronicle everyday lives within our diverse modern world, are the focus of this first monograph of his career to date. Immersing himself in communities around the globe, Xiaodong seeks to present people who often sit on the fringes of society who find themselves marginalised within a contemporary world striving for homogenisation. At first glance a traditional realist painter, closer examination reveals an artist exploring a range mediums while interrogating the opportunities presented by modern technology. The result is an outstanding body of work, often monumental in scale, that examines, reconsiders, and extends observational painting in fresh directions, while bringing into question the lines between fact and fiction, the traditional and the contemporary, to create a wholly original vision.
"This is the first full-length monograph on the paintings of Bernard Frize (b.1949), an artist whose work straddles movements and styles from Colour Field to Minimalism, Fluxus, and Conceptual Art. Frize's works utilise a carefully constructed range of tools, processes, choreography and collaboration to catalogue, in complex and unexpected abstract form and colour, the possibilities of his chosen materials. Emerging from the politicised 1970s onwards, Frize swam against the tide of opinion regarding painting's apparent obsolescence to develop a painting practice that could express political commitment and social concerns, while avoiding both overt statement and pure decoration. David Rhodes' text provides a detailed consideration of Frize's development, from the earliest works onwards. Placing his paintings in a broader art-historical and philosophical context, a wider conversation about painting itself is presented alongside Frize's significant place within the medium's history. Exhibition: Centre Pompidou, Paris, France (29.05.-26.08.2019)."--
An assessment of the paintings of Tal R, an Israeli-born Danish artist whose enigmatic work offers intersections of personal experience and wider history through a visual jigsaw, finely balanced between representation and abstraction
With a body of work that explores a broad spectrum of subjects--from lesbianism and feminism to contemporary politics and the natural world--Nicole Eisenman (b.1965) challenges convention and encourages viewers to construe meanings from images that demand interrogation and debate. Illustrating paintings spanning the early 1990s to the present day, Dan Cameron unpacks the complexities of Eisenman's oeuvre via thematic chapters that address key ideas which emerge when drawing specific works together. As such, this first major account of Eisenman's painting career presents a clear analysis of the primary motivators that have fuelled the imagination of one of the most interesting and original contemporary artists working today.
Painting is a continually expanding and evolving medium. The radical changes that have taken place since the 1960s and 1970s the period that saw the shift from a modernist to a postmodernist visual language have led to its reinvigoration as a practice, lending it an energy and diversity that persist today. In Contemporary Painting, renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of the subject: a rigorous critical snapshot that brings together more than 250 renowned artists from around the world, whose ideas and aesthetics characterize the painting of our time. These luminaries include Cecily Brown, Theaster Gates, Josh Smith, Jenny Saville, Julie Mehretu, Takashi Murakami, Gabriel Orozco, Christina Quarles, Kara Walker, Kehinde Wiley, Zhang Xiaogang and many others. Organized into seven thematic chapters exploring aspects of contemporary painting, this is an essential volume for art history enthusiasts, students, critics and practitioners.
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"This book is the first monograph on the paintings of Lois Dodd. It provides invaluable analysis and contextualisation of her work alongside such New York City contemporaries as Alex Katz, Philip Pearlstein and other denizens of the Tenth Street milieu of the 1950s. Emerging from the shadow of Abstract Expressionism, Dodd and this circle cleaved to an observational painting based in the early modernist tradition. Beginning in the 1950s, Lois Dodd has steadfastly pursued her observational painting, remaining aloof from passing trends. She is widely admired as a 'painter's painter' whose landscapes and city scenes display subtle effects of place, light and weather within graphically distilled ...
The first monograph on a rising star who is one of contemporary art's most celebrated painters Los Angeles-based artist Jonas Wood creates vivid images, where space and everyday life are rendered with compressed perspective in bold graphic hues. This monograph - the first on the artist's work - brings together his most significant paintings and drawings. In doing so, it offers a unique insight into the vast array of his sources, which include family photographs, found imagery, baseball cards, and other people's art, including the ceramics of his wife, the artist Shio Kusaka. With contributions by curator and writer Helen Molesworth, Curator of Modern and Contemporary Art at The Metropolitan Museum of Art in New York Ian Alteveer, and a conversation between Wood and fellow Los Angeles-based artist Mark Grotjahn.
Cecily Brown is a British-born, New York-based artist who rose to prominence in the late 1990s. Originally influenced by Cubism and Abstract Expressionism, Brown has over the years developed her unique voice, which investigates the sensual qualities of oil paint and portraiture through a satirizing and celebratory process inspired both by abstraction and realism. Gentle and yet forceful, Brown's exuberant brushwork, rich palette, intense energy, and black humor have redefined some of painting's historical canons.