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How to Wreck a Nice Beach
The history of the vocoder: how popular music hijacked the Pentagon's speech scrambling weapon The vocoder, invented by Bell Labs in 1928, once guarded phones from eavesdroppers during World War II; by the Vietnam War, it was repurposed as a voice-altering tool for musicians, and is now the ubiquitous voice of popular music. In How to Wreck a Nice Beach—from a mis-hearing of the vocoder-rendered phrase “how to recognize speech”—music journalist Dave Tompkins traces the history of electronic voices from Nazi research labs to Stalin’s gulags, from the 1939 World’s Fair to Hiroshima, from artificial larynges to Auto-Tune. We see the vocoder brush up against FDR, JFK, Stanley Kubrick, Stevie Wonder, Neil Young, Kraftwerk, the Cylons, Henry Kissinger, and Winston Churchill, who boomed, when vocoderized on V-E Day, “We must go off!” And now vocoder technology is a cell phone standard, allowing a digital replica of your voice to sound human. From T-Mobile to T-Pain, How to Wreck a Nice Beach is a riveting saga of technology and culture, illuminating the work of some of music’s most provocative innovators.
Composing the Party Line
This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions and demands. Based on a deep analysis of the archival and cont...
Dirty Combat
From the bloody plains of Angola to the jungles of Colombia, David Tomkins' career as a safe-breaker, arms dealer and mercenary spans five decades. A permanent fixture on the watch lists of intelligence agencies across the world, including the CIA and Interpol, he has served prison sentences on both sides of the Atlantic, most recently for conspiring to kill Colombian drug baron Pablo Escobar. Dirty Combat is a no-holds-barred account of Tomkins' life, candidly told in his own words. Born in London during the Second World War, he was hospitalised for a time in a psychiatric ward and sent to reform school after he was deemed 'beyond parental control'. Later, following a spell in the Merchant ...
Mr Tompkins in Paperback
Since his first appearance over sixty years ago, Mr Tompkins has become known and loved by many readers as the bank clerk whose fantastic dreams lead him into a world inside the atom. This classic provides a delightful explanation of the central concepts in physics, from atomic structure to relativity.
Innovative Wastewater Treatment Technologies - The Innoqua Project
Globally, poor hygiene and sanitation contribute to more than 1,000 daily deaths from diarrhoeal diseases among children under the age of 5, while two thirds of urban wastewaters are discharged without treatment into lakes, rivers and coastal waters. Across Europe the percentage of the population connected to wastewater treatment plants varies from 14% to >99% with many reliant on unsuitable decentralised sanitation systems or no wastewater treatment at all. With less than a decade left to achieve the 2030 sanitation targets as set out in the Sustainable Development Goals, there is an urgent need to develop new treatment solutions that can be rapidly deployed to meet the needs of growing urb...
Youth and Rock in the Soviet Bloc
Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that yo...
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