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* Bestseller in Spain * Second edition (November 2018) - This edition edited by Michael Reilly. Fast-paced and addictive, 'Heroes of Urowen' mixes the best of fantasy novels, videogames and role-playing games into an interactive tale of adventure. Travel to a land full of magic and powerful enemies, where every choice you make may help to improve your chance of success. Fight to the death, upgrade your armor, gain powerful weapons, learn spells, discover treasures, gamble, get drunk in a tavern or enjoy other adult pleasures - all this and much more can be experienced in the mythical Lands of Urowen, where the road to becoming a hero will be full of many surprises. Create your character, cho...
v. 3. Explains 9 techniques on how to handle every gray coverage problem you will ever encounter PLUS, you will learn how to make gray hair any color you wish.
v. 3. Explains 9 techniques on how to handle every gray coverage problem you will ever encounter PLUS, you will learn how to make gray hair any color you wish.
Born in Manchester, England, in 1964, Sarah Michelson has lived and worked in New York since 1991, where she has become a fixture of the downtown dance community. Her works are known for their athleticism, rigor, beauty and attention to architectural space. Her choreography, she has written, "risks rejection" and "denies safety"; deliberately difficult, it inspires both adoration and debate. This book--featuring original essays, an interview with Michelson and a cultural history of her oeuvre written by her peers--explores the concepts and content of the choreographer's work, bringing it vividly to life.
There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philip...
This book focuses on performance and performance-based artworks as seen through the lens of conservation, which has long been overlooked in the larger theoretical debates about whether and how performance remains. Unraveling the complexities involved in the conservation of performance, Performance: The Ethics and the Politics of Conservation and Care (vol. 1) brings this new understanding to bear in examining performance as an object of study, experience, acquisition, and care. In so doing, it presents both theoretical frameworks and functional paradigms for thinking about—and enacting—the conservation of performance. Further, while the conservation of performance is undertheorized, perf...
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Much has been written about how civil society challenges authoritarian governments and helps lead the way to democratization. These studies show that neoliberal economic policies have harmed many sectors of society, weakening the state and undermining clientelistic relationships that previously provided material benefits to middle- and low-income citizens, who are then motivated to organize coalitions to work for greater social justice and equality. Recognizing this important role played by civil society organizations, Jon Shefner goes further and analyzes the variegated nature of the interests represented in these coalitions, arguing that the differences among civil society actors are at le...
We Make Each Other Beautiful focuses on woman of color and queer of color artists and artist collectives who engage in direct political action as a part of their art practice. Defined by public protest, rule-breaking, rebellion, and resistance to governmental and institutional abuse, direct-action "artivism" draws on the aims, radical spirit, and tactics of the civil rights and feminist movements and on the struggles for disability rights, queer rights, and immigrant rights to seek legal and social change. Yxta Maya Murray traces the development of artivism as a practice from the Harlem Renaissance to Yoko Ono, Judy Baca, and Marsha P. Johnson. She also studies its role in transforming law and society. We Make Each Other Beautiful profiles the work and lives of four contemporary artivists —Carrie Mae Weems, Young Joon Kwak, Tanya Aguiñiga, and Imani Jacqueline Brown—and the artivist collective Drawn Together, combining new oral histories with sharp analyses of how their diverse and expansive artistic practices bear important aesthetic and politicolegal meanings that address a wide range of injustices.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.