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STREET PORTRAITS.
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Dawoud Bey
Recipient of a 2017 MacArthur Foundation “genius grant,” Dawoud Bey has created a body of photography that masterfully portrays the contemporary American experience on its own terms and in all of its diversity. Dawoud Bey: Seeing Deeply offers a forty-year retrospective of the celebrated photographer’s work, from his early street photography in Harlem to his current images of Harlem gentrification. Photographs from all of Bey’s major projects are presented in chronological sequence, allowing viewers to see how the collective body of portraits and recent landscapes create an unparalleled historical representation of various communities in the United States. Leading curators and critics—Sarah Lewis, Deborah Willis, David Travis, Hilton Als, Jacqueline Terrassa, Rebecca Walker, Maurice Berger, and Leigh Raiford—introduce each series of images. Revealing Bey as the natural heir of such renowned photographers as Roy DeCarava, Walker Evans, Gordon Parks, and James Van Der Zee, Dawoud Bey: Seeing Deeply demonstrates how one man’s search for community can produce a stunning portrait of our common humanity.
Dawoud Bey on Photographing People and Communities
In this book, Dawoud Bey--well-known for his striking portraits that reflect both the individual and their larger community--shares his own creative process and discusses a wide range of issues, from lighting and location to establishing relationships with subjects, and practical strategies for starting a meaningful portraiture project.
Class Pictures
Text by Jock Reynolds, Taro Nettleton. Interview by Carrie Mae Weems.
Dawoud Bey & Carrie Mae Weems: In Dialogue
Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists.0Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.00Exhibition: Grand Rapids Art Museum, Grand Rapids, USA (29.01-01.05.2022) / Tampa Museum of Art, Tampa, USA (21.07-23.10.2022) / Seattle Art Museum, Seattle, USA (19.11.2022-18.01.2023) / The Getty Museum, L.A., USA (04.2023-07.2023)
Dawoud Bey
Catalogue published on the occasion of the exhibition Dawoud Bay: an American project held at the San Francisco Museum of Modern Art, February 15-May 25, 2020; the High Museum of Art, Atlanta, June 27-October 18, 2020; the Whitney Museum of American Art, New York, November 20, 2020-April 4, 2021.
David Hammons
Drawing on unpublished documents and oral histories, an illustrated examination of an iconic artwork of an artist who has made a lifework of tactical evasion. One wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street action Bliz-aard Ball Sale, thus inscribing it into a body of work that, from the late 1960s to the present, has used a lexicon of ephemeral actions and self-consciously “black" materials to comment on the nature of the artwork, the art world, and race in America. And alt...
Picturing People
Since 1975, Chicago-based photographer Dawoud Bey has developed a body of work distinguished for its commitment to portraiture as means for understanding contemporary social circumstances. Ranging from chance street encounters to studio portraits, Bey has investigated a range of methods to find increased engagement with his subjects, and the resulting candor and expression such images convey. The Renaissance Society is pleased to present a career survey of Bey's work, including a new chapter of Strangers/Community featuring portraits of individuals from Hyde Park, Chicago, home to both the University of Chicago and the artist. 0Exhibition: The Renaissance Society, Chicago, USA (13.05-13.07.2012) / Museum of Contemporary Art North Miami, USA (07.06.-08.09.2013) / The Marianna Kistler Beach Museum of Art, Kansas State University, USA / McDonough Museum of Art, Youngstown State University, USA.
Jordan Casteel
Published for Jordan Casteel's major New Museum show, Within Reach surveys her paintings exploring the nuances of Black subjectivity In her large-scale oil paintings, New York-based artist Jordan Casteel (born 1989) takes up questions of Black subjectivity and representation by examining the gestures, spaces and forms of nonverbal communication that underpin portraiture. "There is a certain amount of mindfulness that it requires ... to be present with someone in a moment." she explains. "I've always had an inclination towards seeing people who might be easily be unseen." Published for Casteel's first solo museum exhibition in New York, this volume brings together 40 large-scale paintings fro...
Dawoud Bey
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