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A book on modern mythology
In this fascinating study, Partha Mitter traces the history of European reactions to Indian art, from the earliest encounters of explorers with the exotic. East to the more sophisticated but still incomplete appreciations of the early twentieth century. Mitter's new Preface reflects upon the profound changes in Western interpretations of non-Western societies over the past fifteen years.
Contrary to popular belief, God not only survived the Enlightenment, but thrived within it. By exposing the Enlightenment's close ties to the traditions of the Renaissance, the passions of the Reformation, and the stirrings of globalization, God in the Enlightenment offers a spectral view of the age of lights.
The Pretended Asian also traces Psalmanazar's later career as a Grub Street hack writer and how his lifelong refusal to reveal his real identity - even after Europeans stopped believing he was a native of Formosa - may have rendered Psalmanazar a permanent outsider."--BOOK JACKET.
This book stands at the crossroads between Jerusalem and Benares and opens a long awaited conversation between two ancient religious traditions. It represents the first serious attempt by a group of eminent scholars of Judaic and Indian studies to take seriously the cross-cultural resonances among the Judaic and Hindu traditions. The essays in the first part of the volume explore the historical connections and influences between the two traditions, including evidence of borrowed elements and the adaptation of Jewish Indian communities to Hindu culture. The essays in the second part focus primarily on resonances between particular conceptual complexes and practices in the two traditions, including comparative analyses of representations of Veda and Torah, legal formulations of dharma and halakhah, and conceptions of union with the Divine in Hindu Tantra and Kabbalah.