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The Global Politics of Contemporary Travel Writing
This book brings the 'serious' world of politics to the 'superficial' world of contemporary travel writing.
Cultures and Politics of Global Communication: Volume 34, Review of International Studies
This special issue of Review of International Studies focuses on how International Relations (IR) communicates with the world, and vice versa. It opens up the discussion of the politics of communication within the discipline and beyond. With a variety of different mediums ranging from media, film, memory, music, culture, and emotions, this book seeks to accentuate their importance for IR, both as a source of knowledge and as an ideational exchange which shapes IR. It examines the diverse ways that multidisciplinary thinkers try to understand and explain global routes, mobilities, cultures, commodifications, singularities, discourses and aestheticisations. This special issue specifically addresses three interrelated themes: How international and global studies approach the question of communication, how to conceptualise and respond to the globalisation of communication and how global problems get communicated within and across the institutional settings of the epistemic disciplines in general, and the IR discipline in particular.
Global Politics
Global Politics: A New Introduction engages directly with questions that those coming to the study of world politics bring with them. From that innovative starting point, it explores key issues through a critical and inquiring perspective, presenting theoretical ideas and concepts in conjunction with a global range of historical and contemporary case studies. Revised and updated throughout, the fourth edition offers examples engaging with the latest developments in global politics: the climate crisis and anthropocentrism, Indigenous experiences and thinking, racism and the rise of xenophobia, artificial intelligence, citizen journalism, global health and pandemic response and drone warfare. ...
Rituals of Mediation
A timely consideration of the meaning of transnational cultural interactions today. In an era of increasing globalization, the cultural and the international have borders as permeable as most nations'--and an understanding of one requires making sense of the other. Foregrounding the role of mediation--understood here as a site of representation, transformation, and pluralization--the authors engage two specific questions: How might we make theoretical and practical sense of transnational cultural interactions? And how are we to understand the ways in which the sites of mediation represent, transform, and remediate internationals? Accordingly, the authors consider international issues like security, development, political activism, and the war against terrorism through the lens of cultural practices such as traveling through airports, exhibiting art and photography, logging on to the Internet, and spinning news stories.
Holidays in the Danger Zone
Holidays in the Danger Zone exposes the mundane and everyday interactions between two seemingly opposed worlds: warfare and tourism. Debbie Lisle shows how a tourist sensibility shapes the behavior of soldiers in war—especially the experiences of Western military forces in “exotic” settings. This includes not only R&R but also how battlefields become landscapes of leisure and tourism. She further explores how a military sensibility shapes the development of tourism in the postwar context, from “Dark Tourism” (engaging with displays of conflict and atrocity) to exhibitions of conflict in museums and at memorial sites, as well as advertising, film, journals, guidebooks, blogs, and photography. Focused on how war and tourism reinforce prevailing modes of domination, Holidays in the Danger Zone critically examines the long historical arc of the war–tourism nexus—from nineteenth-century imperialism to World War I and World War II, from the Cold War to globalization and the War on Terror.
Travel Narrative and the Ends of Modernity
Combining theoretical arguments with close reading, this text traces how twentieth-century writers have reinvented travel narrative for new purposes.
Encountering Palestine
Encountering Palestine: Un/making Spaces of Colonial Violence, edited by Mark Griffiths and Mikko Joronen, sits at the intersection of cultural and political geographies and offers innovative reflections on power, colonialism, and anti-colonialism in contemporary Palestine and Israel. Organized around the theme of encountering and focusing on the ways violence and struggle are un/made in the encounter between the colonizer and colonized, the essays focus on power relations as they manifest in cultural practices and everyday lives in anti/colonial Palestine. Covering numerous sites in Gaza, the West Bank, East Jerusalem, and Israel, Encountering Palestine addresses a range of empirical topics...
Encountering Difference: New Perspectives on Genre, Travel and Gender
This edited collection poses crucial questions about the relationship between gender and genre in travel writing, asking how gender shapes formal and thematic approaches to the various generic forms employed to represent and recreate travel. While the question of the genre of travel writing has often been debated (is it a genre, a hybrid genre, a sub-genre of autobiography?), and recent years have been much attention to travel writing and gender, these have rarely been combined. This book sheds light on how the gendered nature of writing and reading about travel affect the genre choices and strategies of writers, as well as the way in which travel writing is received. It reconsiders traditio...
Mobility at Large
Mobility at Large looks at the work of innovative contemporary travel writers who experiment with form, content, and the politics of representation. Authors such as Michael Ondaatje, Caryl Phillips, and Daphne Marlatt have transformed the genre by using a variety of experimental techniques to examine the cultural and political issues raised by travel, migration, mobility, and displacement. This book challenges those who dismiss travel writing as inherently conservative and bound up in a colonial, Eurocentric tradition.
Travellers' Tales of Wonder
Exploring travellers' tales of wonder in contemporary literature, this study challenges a sensibility of disenchantment with travel. It reassesses travel writing as an aesthetically and ethically innovative form in contemporary international literature, and demonstrates the crucial role of wonder in the travel narratives of writers such as Bruce Chatwin, V.S. Naipaul, and W.G. Sebald. Their 'travellers' tales of wonder' are read as a challenge to the hubris of thinking the world too well known, and an invitation to encounter the world - including its most troubling histories - with a sense of wonder.
