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Wandering into Brave New World
Wandering into Brave New World explores the historical contexts and contemporary sources of Aldous Huxley’s 1932 novel which, seventy years after its initial publication remains the best known and most discussed dystopian work of the twentieth century. This new study addresses a number of questions which still remain open. Did his round-the-world trip in 1925-1926 provide material for the novel? Did India’s caste system contribute to the novel’s human levels? Is there an overarching pattern to the names of the novel/s characters? Has the role of Hollywood in the novel been underestimated? Is Lenina Crown a representative 1920s “flapper”? Did Huxley have knowledge of and sources for his Indian reservation characters and scenes quite independent of and more accurate than those of D. H. Lawrence’s writings? Did Huxley’s visit to Borneo contribute anything to the novel? New research allows substantive answers and even explains why Huxley linked such figures as Henry Ford and Sigmund Freud. It also shows how the novel overcomes its intense grounding in 1920s political turmoil to escape into the timelessness of dystopian fiction.
Santa Fe
The timeline of American history has always swept through Santa Fe, New Mexico. Settled by ancient peoples, explored by conquistadors, conquered by the U.S. cavalry, Santa Fe owns a story that stretches from the talking drums of the Pueblos to the high math of complexity theory pioneered at the Santa Fe Institute. This fresh presentation, 400 years after the Spanish founded the town in 1610, presents the full arc of Santa Fe's story that sifts through its long, complex, thrilling history. From the moment of first contact between the explorers and the native peoples, Santa Fe became a crossroads, a place of accommodations and clashes. Faith defined, sustained, and liberated the people. All th...
Glittering World
Glittering World tells the remarkable story of Navajo jewelry--from its ancient origins to the present--through the work of the gifted Yazzie family of New Mexico. Jewelry has long been an important form of artistic expression for Native peoples in the Southwest; its diversity of design reflects a long history of migrations, trade, and cultural exchange. Exceptional jewelry makers who have been active for nearly eight decades, the Yazzies are strongly rooted in and inspired by these traditions and values. Their works emphasize reciprocity, harmony, balance, and respect for family. As the companion volume to the Smithsonian's National Museum of the American Indian in New York exhibit of the same name, this book is richly illustrated with images of these beautifully crafted treasures, bringing to light some of the finest indigenous art being created in the world today. Its informative and lively narrative complements these stunning images to illuminate the fascinating story of continuity, change, and survival embodied by Navajo jewelry.
The New Museum Registration Methods
A successor to Museum Registration Methods after the revision of its third volume was abandoned as impractical. Reports the most recent research and practice for improving the care, safety, and documentation of museum collections. Covers documentation, collections management, processes, administrative functions, risk management, and ethical and legal issues. Includes a glossary without pronunciation. Annotation copyrighted by Book News, Inc., Portland, OR
Annual Report - National Endowment for the Humanities
Includes appendices.
Harvey Houses of New Mexico
The Santa Fe Line and the famous Fred Harvey restaurants forever changed New Mexico and the Southwest, bringing commerce, culture and opportunity to a desolate frontier. The first Harvey Girls ever hired staffed the Raton location. In a departure from the ubiquitous black and white uniform immortalized by Judy Garland in 1946's Harvey Girls, many of New Mexico's Harvey Girls wore colorful dresses reflective of local culture. In Albuquerque, the Harvey-managed Alvarado Hotel doubled as a museum for carefully curated native art. Join author Rosa Walston Latimer and discover New Mexico's unique history of hospitality the "Fred Harvey way."
Leekya, Master Carver of Zuni Pueblo
"Leekya Deyuse emerged in the early to mid-1900s as Zuni Pueblo's most recognized commercial carver. A pioneer in the carving of turquoise and coral, he is considered by many to be Zuni's master jeweler of his time. Leek's excellence in carving reached a high point by the 1950s, with his work acquired for museum and private collections worldwide. Leekya's work is relentlessly sought after by scholars and collectors. But research into this enigmatic artist's history raises questions. Was he influenced by the work of ancestral Zuni carvers? Was Leekya also a silversmith, or a maker of mosaic and inlay jewelry? Did his work change over time? With this book, we learn how Leekya's work has brought wide-reaching appreciation for the Zuni carving tradition"--Fresco Books website.
