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The Lily and the Thistle
In The Lily and the Thistle, William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. The Lily and the Thistle provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French dits amoureux); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian Roman de Fergus, as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.
Chaucers Squires Tale, Franklins Tale, and Physicians Tale
The latest volume in the Chaucer Bibliographies series, meticulously assembled by Kenneth Bleeth, is the most comprehensive record of scholarship on Chaucer's Squire's Tale, Franklin's Tale, and Physician's Tale.
What Kind of a Thing Is a Middle English Lyric?
What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyric...
Debating the Roman de la Rose
Around the year 1400, the poet Christine de Pizan initiated a public debate in France over the literary "truth" and merit of the Roman of the Rose, perhaps the most renowned work of the French Middle Ages. She argued against what she considered to be misrepresentations of female virtue and vice in the Rose. Her bold objections aroused the support and opposition of some of the period’s most famous intellectuals, notable Jean Gerson, whose sermons on the subject are important literary documents. "The Quarrel of the Rose" is the name given by modern scholars to the collection of these and other documents, including both poetry and letters, that offer a vivid account of this important controversy. As the first dual-language version of the "Quarrel" documents, this volume will be of great interest to medievalists and an ideal addition to the Routledge Medieval Texts series. Along with translations of the actual debate epistles, the volume includes several relevant passages from the Romance of the Rose, as well as a chronology of events and ample biography of source materials.
Music and Performance in the Later Middle Ages
This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.
Poetry and the Built Environment
In Poetry and the Built Environment Elizabeth Fowler offers a new approach to criticism that recognises poetry as one among the arts of the built environment. Like gardens, sculptures, paintings, and architecture, poems are cultural artifacts designed to appeal to human bodies. The phrase "the flesh of art" signifies the sphere of interaction between us and such artifacts and signals the phenomenological nature of the approach. As we move through the built environment, we draw on our achieved expertise in negotiating its complex instructions to us. Art mobilizes this expertise, deploying sophisticated conventions and entangling the virtual with the real. As we engage with them, poems, like o...
Matter and Making in Early English Poetry
This is a new literary history of medieval and early modern English court poetry, featuring in-depth studies of Chaucer, Gower, Hoccleve, Lydgate, Skelton, and Wyatt.
Alain Chartier
Belle dame sans merci (Beautiful lady with no mercy) (1424) is not readily available in moden English translation elsewhere, making this an essential addition to any library with a medieval literature or French literature collection.
The Journey of a Book
De proprietatibus rerum, ‘On the properties of things’, has long been referred to by scholars as a medieval encyclopedia, but evidence suggests that it has been many things to many people. The sheer number of extant manuscript copies and printed editions, along with translations, adaptations, and mentions in poems and sermons, testify to its continuous significance for Europeans of all estates and different walks of life, from the thirteenth to the seventeenth centuries. While first compiled soon after the time of St Francis by a humble continental friar to meet the needs of his expanding religious brotherhood, by 1600 English men of letters had claimed Bartholomew as a noble compatriot and national treasure. What was it about the work that propelled it through a progression of medieval cultures and into an exalted position in the world of English letters? This reception history traces evidence for the journey of ‘Properties’ over four centuries of social, political and religious change.
Chaucer and Petrarch
First full study of Chaucer's readings and translations of Petrarch suggests a far greater influence than has hitherto been accepted.
