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Vanderzee
One of the great American photographers of the 20th century and the leading African-American photographer of his day, James VanDerZee is best remembered as the eyes of the Harlem Renaissance. Reproduced here are many of the thousands of photographs he took in New York's Harlem between the wars. 200 photos.
Something All Our Own
Grant Hill and experts celebrate and examine the creative expression of African American art and artists.
The African Diaspora
* How black people established their identities in the African diaspora.
Seizing the Light
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering major events, practitioners, works, and social effects of photographic practice, author Robert Hirsch provides a concise and discerning chronological account of photography, drawing on examples from across the world. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative thinking process. This new edition has been fully revis...
Cultural Trauma
In this book, Ron Eyerman explores the formation of the African-American identity through the theory of cultural trauma. The trauma in question is slavery, not as an institution or as personal experience, but as collective memory: a pervasive remembrance that grounded a people's sense of itself. Combining a broad narrative sweep with more detailed studies of important events and individuals, Eyerman reaches from Emancipation through the Harlem Renaissance, the Depression, the New Deal and the Second World War to the Civil Rights movement and beyond. He offers insights into the intellectual and generational conflicts of identity-formation which have a truly universal significance, as well as providing a compelling account of the birth of African-American identity. Anyone interested in questions of assimilation, multiculturalism and postcolonialism will find this book indispensable.
Reframings
This diverse and compelling collection of contemporary feminist visual art is now available in a paperback edition. Reframings makes visible what has been for too long nearly invisible: contemporary feminist visual art that represents a remarkable range of perspectives, styles, and subject matter. The forty-five women who created these works-artists and writers such as Deborah Willis, Carrie Mae Weems, Nan Goldin, and Carm Little Turtle-are connected by a belief that images are political and that today's feminist concerns cannot be separated from such issues as ethnicity, class, age, and sexuality. They share a consciousness that historically women have been "framed" and can now be "reframed." Author note: Diane Neumaier is Associate Professor of Visual Arts at Mason Gross School of the Arts, Rutgers University.
Voices of the Spirit
This text provides a selection of African-American voices, describing written works, oral history, photographs and moving images. Sources from 1883 to the 1990s are annotated and discussed, and are aimed at showing more of the African-American experience than is often portrayed in the mass media.
The New Black Gods
Taking the influential work of Arthur Huff Fauset as a starting point to break down the false dichotomy that exists between mainstream and marginal, a new generation of scholars offers fresh ideas for understanding the religious expressions of African Americans in the United States. Fauset's 1944 classic, Black Gods of the Metropolis, launched original methods and theories for thinking about African American religions as modern, cosmopolitan, and democratic. The essays in this collection show the diversity of African American religion in the wake of the Great Migration and consider the full field of African American religion from Pentecostalism to Black Judaism, Black Islam, and Father Divine's Peace Mission Movement. As a whole, they create a dynamic, humanistic, and thoroughly interdisciplinary understanding of African American religious history and life. This book is essential reading for anyone who studies the African American experience.
Making a Promised Land
Making a Promised Land examines the interconnected histories of African American representation, urban life, and citizenship as documented in still and moving images of Harlem over the last century. Paula J. Massood analyzes how photography and film have been used over time to make African American culture visible to itself and to a wider audience and charts the ways in which the “Mecca of the New Negro” became a battleground in the struggle to define American politics, aesthetics, and citizenship. Visual media were first used as tools for uplift and education. With Harlem’s downturn in fortunes through the 1930s, narratives of black urban criminality became common in sociological trac...
African American Literature in Transition, 1920-1930: Volume 9
This book analyses historical, literary, and cultural shifts in African American literature from the 1920s-1930s.
