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Translating Grandfather's House
The poems in this first poetry book by a Cuban American writer explore a variety of contemporary and historical themes that combine to create a modern immigrant consciousness, not only immigration from nation state to nation state but also from states of culture and spirit. Beginning with poems that harken back over 40 years of lived experience in the mountains of Cuba, the hills of Galicia, Spain, and the paved streets of Brooklyn and Harlem to poems of love and loss, of life in the military and the high seas, the book grapples with the complex conflicts and tensions of identity, displacement, and autonomy while seeking beauty in all her forms. From the evocative lyricism of the delicately constructed décimas to the sprawling long lines and semantic plays of the free verse, this is a work by a poet writing in the full measure of his powers.
Essays on Cuban Music
The first book-length study on Cuban music in the English language. This volume consists of thirteen articles written by nine authors, including four Cuban scholars and five North American ethnomusicologists. The articles by Cuban scholars, translated from largely out-of-print publications, constitute a selection of some of the best Cuban research on their island's music, and present a set of perspectives which complement those of the North American authors. The articles cover such areas as descriptions of the Afro-Haitian derived tumba francesa, the traditional Afro-Cuban rumba, and the rural punto, as cultivated by peasants of Hispanic descent; aspects of the music bureaucracy in contemporary Cuba; the American music industry's dissemination of Cuban-derived salsa in New York City; Afro-Cuban cult music; the history and current status of charanga dance bands; and more.
The Cuban Condition
Firmat explores the process of assimilation or transculturation in the case of Cuba, and proposes a new understanding of the issue of Cuban national identity through revisionary readings dating from the early decades of the twentieth century, a time of intense self-reflection in the nation's history. He argues that Cuban identity is translational rather than foundational and that cubanía emerges from a nuanced, self-conscious recasting of foreign models.
