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Absolute Zero Cool
A postmodern crime thriller from one of Ireland's best crime fiction writers
A Narrow Door
'Twist follows twist and nothing is what it seems' ALEX MICHAELIDES 'Exhilarating, addictive, fierce' BRIDGET COLLINS 'A psychological thriller you can't put down' HARLAN COBEN 'Dark, Gothic, and propulsively readable' RUTH WARE 'A dark and richly enjoyable novel that already feels like a classic' ELLY GRIFFITHS * * * * * Now I'm in charge, the gates are my gates. The rules are my rules. It's an incendiary moment for St Oswald's school. For the first time in its history, a headmistress is in power, the gates opening to girls. Rebecca Buckfast has spilled blood to reach this position. Barely forty, she is just starting to reap the harvest of her ambition. As the new regime takes on the old gu...
Absolute Zero Cool
Winner of the Crimefest 2012 Goldsboro Last Laugh Award Billy Karlsson needs to get real. Literally. A hospital porter with a sideline in euthanasia, Billy is a character trapped in the purgatory of an abandoned novel. Deranged by logic, driven beyond sanity, Billy makes his final stand: if killing old people won't cut the mustard, the whole hospital will have to go up in flames. Only his creator can stop him now, the author who abandoned Billy to his half-life limbo, in which Billy schemes to do whatever it takes to get himself published, or be damned . . .
The Lammisters
None
Books to Die For
The world’s most beloved mystery writers celebrate their favorite mystery novels in this gorgeously wrought collection, featuring essays by Michael Connelly, Kathy Reichs, Ian Rankin, and more. In the most ambitious anthology of its kind, the world’s leading mystery writers come together to champion the greatest mystery novels ever written. In a series of personal essays that reveal as much about the authors and their own work as they do about the books that they love, over a hundred authors from twenty countries have created a guide that will be indispensable for generations of readers and writers. From Agatha Christie to Lee Child, from Edgar Allan Poe to P. D. James, from Sherlock Holmes to Hannibal Lecter and Philip Marlowe to Lord Peter Wimsey, Books to Die For brings together the best of the mystery world for a feast of reading pleasure, a treasure trove for those new to the genre and for those who believe that there is nothing new left to discover. This is the one essential book for every reader who has ever finished a mystery novel and thought…I want more!
The Big O
Karen's easy life as a receptionist and armed robber is about to take a turn for the worse. Rossi, her ex, is getting out of prison any day now. He'll be looking for his motorcycle, his gun, the sixty grand he says is his, and revenge. But he won't be expecting Ray, the new guy Karen's just met, to be in his way. No stranger to the underworld himself, Ray wants out of the kidnapping game now that some dangerous new bosses are moving in. Meanwhile Frank, a disgraced plastic surgeon, hires Ray to kidnap his ex-wife for the insurance money. But the ex-wife also happens to be Karen's best friend. Can Karen and Ray trust each other enough to work together on one last job? Or will love, as always, ruin everything? From a writer hailed as "Elmore Leonard with a hard Irish edge" ("Irish Mail on Sunday"), Declan Burke's "The Big O "is crime fiction at its darkest and funniest.
Crime Always Pays
Who says crime doesn't pay? The perpetrators of a botched kidnap make their getaway in this hilarious sequel to The Big O Karen and Ray are on their way to the Greek islands to rendezvous with Madge and split the fat bag of cash they conned from her ex-husband Rossi when they kidnapped, well, Madge. But they’ve reckoned without Stephanie Doyle, the cop who can’t decide if she wants to arrest Madge, shoot Rossi, or ride off into the sunset with Ray. And then there’s Melody, the wannabe movie director, who’s pinning all her hopes on Sleeps, the narcoleptic getaway driver who just wants to go back inside and do some soft time. A European road-trip screwball noir, Crime Always Pays features cops and robbers, losers and hopers, villains, saints – and a homicidal Siberian wolf called Anna. The Greek islands will never be the same again.
Irish Classics
A celebration of the tenacious life of the enduring Irish classics, this book by one of Irish writing's most eloquent readers offers a brilliant and accessible survey of the greatest works since 1600 in Gaelic and English, which together have shaped one of the world's most original literary cultures. In the course of his discussion of the great seventeenth- and eighteenth-century Gaelic poems of dispossession, and of later work in that language that refuses to die, Declan Kiberd provides vivid and idiomatic translations that bring the Irish texts alive for the English-speaking reader. Extending from the Irish poets who confronted modernity as a cataclysm, and who responded by using tradition...
Slaughter's Hound
"I glanced up but he'd already jumped, a dark blur plummeting, wings folded against the drag like some starving hawk out of the noon sun, some angel betrayed. He punched through the cab's roof so hard he sent metal shearing into the petrol tank. All it took was one spark. Boom . . ."Harry Rigby is right there, an eye-witness when Finn Hamilton walks out into the big nothing nine stories up, but no one wants to believe Finn is just the latest statistic in Ireland's silent epidemic. Not Finn's mother, Saoirse Hamilton, whose property empire is crumbling around her; and not Finn's pregnant fiancé, Maria, or his sister Grainne; and especially not Detective Tohill, the cop who believes Rigby is a stone-cold killer, a slaughter's hound with a taste for blood . . . Welcome to Harry Rigby's Sligo, where death comes dropping slow. Studded with shards of black humour and mordant wit, Slaughter's Hound is a gripping noir from one of the most innovative voices in Irish crime fiction.
Down These Green Streets
This book suggests crime fiction is now the most relevant and valid form of writing which can deal with modern Ireland in terms of the post-'Troubles' landscape and post-Celtic Tiger economic boom. The book takes a chapter by chapter approach with each chapter and author discussing a different facet of Irish crime writing for example, Declan Hughes discusses the influence of American culture on Irish crime writing and Tana French reflects on crime fiction and the post-Celtic Tiger Irish identity. This publication is aimed at both the academic and general reader.
