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A Bad Character
Shortlisted for the 2015 Prix Médicis My boyfriend died when I was twenty-one. His body was left lying broken in the highway out of Delhi while the sun rose in the desert to the east. I wasn’t there, I never saw it. But plenty of others saw, in the trucks that passed by without stopping, and from the roadside dhaba where he’d been drinking all night. Then they wrote about him in the paper. Twelve lines buried in the middle pages, one line standing out, the last one, in which a cop he’d never met said to the reporter, He was known to us, he was a bad character. This is the story of Idha, a young woman who finds escape from the arranged marriage and security that her middle-class world ...
Age of Vice
HIGHLY ANTICIPATED OPRAH DAILY PICK FOR 2023 'Ill-fated love and toxic family power struggles provide emotional drive for this big dynastic saga' JAKE ARNOTT, GUARDIAN 'Huge, epic, immersive and absorbing . . . certain to be a book of the year' LEE CHILD, NEW YORK TIMES BESTSELLING AUTHOR 'Kapoor's violent and bitter story is deeply addictive' PUBLISHERS WEEKLY (STARRED REVIEW) This is the age of vice, where pleasure and power are everything, and the family ties that bind can also kill New Delhi, 3 a.m. A speeding Mercedes jumps the kerb, and in the blink of an eye five people are dead. It's a rich man's car, but when the dust settles there is no rich man at all, just a shell-shocked servant...
A Map Is Only One Story
From rediscovering an ancestral village in China to experiencing the realities of American life as a Nigerian, the search for belonging crosses borders and generations. Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as twenty writers share provocative personal stories of existing between languages and cultures. Victoria Blanco relates how those with family in both El Paso and Ciudad Juárez experience life on the border. Nina Li Coomes recalls the heroines of Japanese animator Hayao Miyazaki and what they taught her about her bicultural identity. Nur Nasreen Ibrahim details her grandfather’s crossing of the India-Pakistan border sixty years after Partition. Krystal A. Sital writes of how undocumented status in the United States can impact love and relationships. Porochista Khakpour describes the challenges in writing (and rewriting) Iranian America. Through the power of personal narratives, as told by both emerging and established writers, A Map Is Only One Story offers a new definition of home in the twenty-first century.
Made in Korea
"Two entrepreneurial Korean-American teens butt heads-and fall in love-while running competing Korean beauty businesses at their high school"--
How to Raise a Feminist Son
"This book is a true love letter, not only to Jha's own son but also to all of our sons and to the parents--especially mothers--who raise them.” —Ijeoma Oluo, author of So You Want to Talk About Race and Mediocre Beautifully written and deeply personal, this book follows the struggles and triumphs of one single, immigrant mother of color to raise an American feminist son. From teaching consent to counteracting problematic messages from the media, well-meaning family, and the culture at large, the author offers an empowering, imperfect feminism, brimming with honest insight and actionable advice. Informed by Jha's work as a professor of journalism specializing in social justice movements ...
Granta 130
For a long time - too long - the mirror that India held to its face was made elsewhere. 'What writer about the country would you recommend I read?' first-time travellers to India would ask, and in the late twentieth century the answer was still Forster or Naipaul or even the long-dead Kipling. In fiction, that changed with Rushdie. Now it has changed in all kinds of non-fiction. Narrative history, reportage, memoir, biography, the travel account: all have their gifted exponents in a country perfecting its own frank gaze. In this special issue, Aman Sethi's 'Love Jihad' gives us insight into the riots, religious fractiousness, mob mentality and political manipulations that have come to define...
Walking Towards Ourselves
India is one of the most dangerous places on the planet to be a woman – or so the international press keeps telling us. But behind the headlines, what is it really like to be a woman in India today?
Walk in the shoes of some of India’s finest women writers, and go on a journey into their intimate lives in Walking Towards Ourselves. From the film sets of Bollywood to a closeted marital home in a Tamil Nadu village; from the slick boardroom of an online dating app to a makeshift bamboo house in the post-cyclone Sundarbans; from a beauty parlour where skin bleaching is the norm, to a home for abandoned girls in Karnataka, walk with them.
Walk with them as they...
Elephant Company
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK The remarkable story of James Howard “Billy” Williams, whose uncanny rapport with the world’s largest land animals transformed him from a carefree young man into the charismatic war hero known as Elephant Bill In 1920, Billy Williams came to colonial Burma as a “forest man” for a British teak company. Mesmerized by the intelligence and character of the great animals who hauled logs through the jungle, he became a gifted “elephant wallah.” In Elephant Company, Vicki Constantine Croke chronicles Williams’s growing love for elephants as the animals provide him lessons in courage, trust, and gratitude. Elephant Company i...
The Archer
“Set in 1970s Bombay, the novel explores art, ambition, gender roles and class with the same shimmering prose of Swamy’s first book, the story collection A House Is a Body.” —San Francisco Chronicle “[A] sublime, boundary-pushing exploration of sexuality, creativity, and love.” —NPR In this transfixing novel, a young woman comes of age in 1960s- and 1970s-era Bombay, a vanished world that is complex and indelibly rendered. Vidya’s childhood is marked by the shattering absence and then the bewildering reappearance of her mother and baby brother at the family home. Restless, observant, and longing for connection with her brilliant and increasingly troubled mother, Vidya navigat...
Teaching Anglophone South Asian Women Writers
Global and cosmopolitan since the late nineteenth century, anglophone South Asian women's writing has flourished in many genres and locations, encompassing diverse works linked by issues of language, geography, history, culture, gender, and literary tradition. Whether writing in the homeland or in the diaspora, authors offer representations of social struggle and inequality while articulating possibilities for resistance. In this volume experienced instructors attend to the style and aesthetics of the texts as well as provide necessary background for students. Essays address historical and political contexts, including colonialism, partition, migration, ecological concerns, and evolving gender roles, and consider both traditional and contemporary genres such as graphic novels, chick lit, and Instapoetry. Presenting ideas for courses in Asian studies, women's studies, postcolonial literature, and world literature, this book asks broadly what it means to study anglophone South Asian women's writing in the United States, in Asia, and around the world.
