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South African Autobiography as Subjective History
This book examines 21st-century South African autobiographical writing that addresses the nation’s socio-political realities, both past and present. The texts in focus represent and depict a South Africa caught in the midst of contradictory and competing images of the ‘Rainbow Nation’. Arguing that recent memoirs question and criticize the illusion of a united nation, the study shows how these texts reveal the flaws and shortcomings not only of the apartheid past but of contemporary South Africa. It encompasses a broad range of autobiographical works, largely published since 2009, that engage with South Africa’s past, present and future. At its centre is the quest for space and belonging, and this book investigates who can comfortably ‘belong’ in South Africa in its post-apartheid, post-Truth and Reconciliation, post-Mbkei and post-Zuma state.
Dangerously Attractive
A serial killer is targeting Detective Vanessa Connor's oldest friends, and evidence—the sicko left his calling card in her home—shows she's the next victim. But Vanessa refuses to run scared. She's a cop. And she's determined to make full use of her years on the force to trap the murderer herself. So when a federal agent is assigned to protect her and catch the perp, Vanessa isn't exactly cooperative. She doesn't need a bodyguard—particularly one as dangerously attractive, dangerously seductive as Rick Maguire. His powerful arms make Vanessa feel safer than she wants to admit. Especially when the killer gets close enough to cross them both off his list.
Ballerina
Throughout her history, the ballerina has been perceived as the embodiment of beauty and perfection--the feminine ideal. But the reality is another story. From the earliest ballerinas in the 17th century--who often led double lives as concubines--through the poverty of the corps de ballet dancers in the 1800's and the anorexic and bulimic ballerinas of George Balanchine, starvation and exploitation have plagued ballerinas throughout history. Using the stories of great dancers such as Anna Pavlova, Isadora Duncan, Suzanne Farrell, Gelsey Kirkland, Evelyn Hart, Marie Camargo, and Misty Copeland, Deirdre Kelly exposes the true rigors for women in ballet. She rounds her critique with examples of how the world of ballet is slowly evolving for the better. But to ensure that this most graceful of dance forms survives into the future, she says that the time has come to rethink ballet, to position the ballerina at its center and accord her the respect she deserves.
Kruger's Pretoria
This fascinating book, originally published in 1971, had it origins in daily journalism: a series of feature articles for the Pretoria News written between 1968 and 1970. Since then much has changed and that era now seems as remote as Kruger's did in 1970.
Addressing Barriers to Learning
It covers a wider spectrum of barriers to learning than EngelbrechtAs Inclusive Education in SA. The title covers the content of the Education White Paper 6.
Leadership
This engaging text examines the complex interface that exists between a Christian's faith commitments on the one hand and the exercise of his or her responsibilities as a manager or nominal leader on the other. In doing so, it brings the wisdom of the world concerning management and leadership into conversation with the wisdom of the Beatitudes proclaimed in Matthew's Gospel.
Romantic Correspondence
This study of correspondence in the Romantic period calls into question the common notion that letters are a particularly 'romantic', personal, and ultimately feminine form of writing.
The Nightly Act of Dreaming
The search for a shared practice of storytelling around which a popular study of cognitive narratology might form need look no further than our nightly experience of dreams. Dreams and memories are inseparable, complicating and building upon one another, reminding us that knowledge of ourselves based on our memories relies upon fictionalized narratives we create for ourselves. Psychologists refer to confabulation, the creation of false or distorted memories about oneself and the world we inhabit, albeit without any conscious intention to deceive. This process and narrative, inherent in the dreamlife of all people, is at odds with the daily menu of cultural myths and politicized fictions fed ...
