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Sinful Tunes and Spirituals
Awarded both the Chicago Folklore Prize and the Simkins Prize of the Southern Historical Association From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, in Sinful Tunes and Spirituals Dena J. Epstein traces the course of early black folk music in all its guises. This classic work is being reissued with a new author's preface on the silver anniversary of its original publication.
I Came a Stranger
Hilda Satt Polacheck's family emigrated from Poland to Chicago in 1892, bringing their old-world Jewish traditions with them into the Industrial Age. Throughout her career as a writer and activist, Polacheck (1882-1967) never forgot the immigrant neighborhoods, the markets, and the scents and sounds of Chicago's West Side. Here, in charming and colorful prose, she recounts her introduction to American life and the Hull-House community, her friendship with Jane Addams, her marriage, her support of civil rights, woman suffrage, and the Women's International League for Peace and Freedom, and her experiences as a writer for the WPA.
Folk Music and Modern Sound
The essays in this collection range from the impact of technology on the British folksong revival to regional characteristics of early rock and roll in New Orleans. Attention is given to the blues, Sacred Harp singing, ethnic music, both black and white gospel, country music, and the polka. Other essays consider the relationship of music from the Yiddish-American theater with that of Broadway, the wide influence and commercialization of black music in today's popular music, myths about early black music, and Charles Ives as folk hero. Contributors include Amiri Baraka, Doris J. Dyen, Dena J. Epstein, David Evans, Kenneth S. Goldstein, Anthony Heilbut, William Ivey, Charles Keil, A.L. Lloyd, Bill C. Malone, Robert Palmer, Vivian Perlis, Mark Slobin, Richard Spottswood, and Charles K. Wolfe.
African American Music
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
Appalachians and Race
African Americans have had a profound impact on the economy, culture, and social landscape of southern Appalachia but only after a surge of study in the last two decades have their contributions been recognized by white culture. Appalachians and Race brings together 18 essays on the black experience in the mountain South in the nineteenth century. These essays provide a broad and diverse sampling of the best work on race relations in this region. The contributors consider a variety of topics: black migration into and out of the region, educational and religious missions directed at African Americans, the musical influences of interracial contacts, the political activism of blacks during reconstruction and beyond, the racial attitudes of white highlanders, and much more. Drawing from the particulars of southern mountain experiences, this collection brings together important studies of the dynamics of race not only within the region, but throughout the South and the nation over the course of the turbulent nineteenth century.
The ADA Practical Guide to Patients with Medical Conditions
With new medications, medical therapies, and increasing numbers of older and medically complex patients seeking dental care, all dentists, hygienists, and students must understand the intersection of common diseases, medical management, and dental management to coordinate and deliver safe care. This new second edition updates all of the protocols and guidelines for treatment and medications and adds more information to aid with patient medical assessments, and clearly organizes individual conditions under three headings: background, medical management, and dental management. Written by more than 25 expert academics and clinicians, this evidence-based guide takes a patient-focused approach to help you deliver safe, coordinated oral health care for patients with medical conditions. Other sections contain disease descriptions, pathogenesis, coordination of care between the dentist and physician, and key questions to ask the patient and physician.
Slave Songs of the United States
Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.
Were You There?
Contemporary Christian theology continues to struggle with the tragedy of inexplicable human suffering and the endurance of evil. The pressing issue of "Where is God?" in seemingly godless situations provides the focus of Were You There? Godforsakenness in Slave Religion. In this book, David Emmanuel Goatley investigates the doctrine of God in relation to the experience of those living under conditions of extreme oppression. In this experience of "Godforsakenness" Goatley finds an echo of Jesus' poignant cry from the cross, "My God, why have you forsaken me?" Were You There? approaches this question through a narrative methodology, particularly by examining the slave narratives as well as the spirituals that were products of the same era. Both these sources provide important ways of viewing the experience of "Godforsakenness" and the problem of God's presence or absence in the extremities and absurdities of human suffering. Using these insights as a hermeneutic, Were You There? then proceeds to an interpretation of Jesus' cry of dereliction in Mark.
The Negro Traditions
This collection of previously unpublished tales is a major contribution to the annals of African-American folk narrative. Ranging from fables to historical narratives, these tales contain a rich variety of information on folk customs, speech, and songs, providing the reader with a deeper understanding of and appreciation for nineteenth-century African-American culture. Negro Traditions offers wonderful descriptions of all manner of rural African-American folk customs, including valuable insights into post-Civil War life in rural Middle Tennessee - from riddles to dances - and how former slaves and their children felt about their lives. At times the movement of these tales toward tragedy is r...
