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The Annenberg Collection
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
The Domenichino Affair
Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco’s teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix.Why was Domenichino attacked in this way when other related paintings--including Raphael’s Marriage of the Virgin and Perugino’s painting of the same subject--aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino’s plight signifies in art history.
Citizen Spectator
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, “Invisible Ladies,” and other spectacles of deception. Bell...
The Age of Watteau, Chardin, and Fragonard
Leading scholars shed light on the development of genre painting in this heavily illustrated volume.
Egyptian Art
This is a collection of the articles of Bernard V. Bothmer on Egyptian art history.
Cézanne and Beyond
"The famous proclamation that Cezanne “is the father of us all” has been attributed to both Matisse and Picasso, and his influence has extended to a great diversity of artists thereafter. In this monumental book, a team of distinguished scholars offers the most comprehensive view to date on Cezanne’s vital role in shaping European and American art throughout the 20th century and into the 21st. More than forty paintings and ten works on paper by Cezanne—many of his best-known and most admired—are juxtaposed throughout the catalogue with approximately 120 works by a range of modern and contemporary artists who found in Cezanne a central inspiration. They include Max Beckmann, Georges...
Roman Presences
This collection of essays explores aspects of the reception of ancient Rome in a number of European countries from the late eighteenth century to the end of the Second World War. Rome has been made to stand for literary authority, republican heroism, imperial power and decline, the Catholic Church, the pleasure of ruins. The studies offered here examine some of the sometimes strange and unexpected places where Roman presences have manifested themselves during this period. Scholars from several disciplines, including English literature and history of art, as well as classics, bring to bear a variety of approaches on a wide range of images and texts, from statues of Napoleon to Freud's analysis of dreams. Rome's seemingly boundless capacity for multiple, indeed conflicting, signification has made it an extraordinarily fertile paradigm for making sense of - and also for destabilizing - history, politics, identity, memory and desire.
Origins of Impressionism
"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of...
