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The Italian Book 1465-1800
The introduction of printing in Italy coincided with the flowering of the Renaissance in Europe. Enterprising printers established themselves in many towns, and a complex interrelated network of authors, suppliers and booksellers developed to serve the expanding market both at home and throughout Europe. The Italian Book 1465-1800 addresses a host of issues and problems, which three centuries of the history of the book in Italy, present for modern researchers, in essays written by scholars in the field of historic bibliography. The volume is published in honour of Dennis E. Rhodes, retired Deputy Keeper in the British Library, and a prolific contributor to scholarly study of printing in Italy.
Niccol Di Lorenzo Della Magna and the Social World of Florentine Printing, Ca. 1470Ð1493
A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy. Lorenz Bninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccol di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccol established his business there and published a number of influential books. Among these were Marsilio FicinoÕs De christiana religione, Leon Battista AlbertiÕs De re aedificatoria, Cristoforo LandinoÕs commentaries on DanteÕs Commedia, and Francesco BerlinghieriÕs Septe giornate della geographia. Many of these books were printed in vernacular...
Studies in Early European Printing and Book Collecting
This second volume of Dr. Rhodes' Studies covers the wider field of early printing in Western Europe outside of Italy. The spread of printing in England receives considerable attention, especially in the case of the London and Oxford presses. There are separate sections on printing in France, Germany, Spain and the Low Countries over this period. Of particular importance is the final series of articles on early collectors of printed books in Western Europe, which deals equally with the collectors and their libraries, including, in this case, the Italian collections.
Print and Power in Early Modern Europe (1500–1800)
Print, in the early modern period, could make or break power. This volume addresses one of the most urgent and topical questions in early modern history: how did European authorities use a new medium with such tremendous potential? The eighteen contributors develop new perspectives on the relationship between the rise of print and the changing relationships between subjects and rulers by analysing print’s role in early modern bureaucracy, the techniques of printed propaganda, genres, and strategies of state communication. While print is often still thought of as an emancipating and disruptive force of change in early modern societies, the resulting picture shows how instrumental print was in strengthening existing power structures. Contributors: Renaud Adam, Martin Christ, Jamie Cumby, Arthur der Weduwen, Nora Epstein, Andreas Golob, Helmer Helmers, Jan Hillgärtner, Rindert Jagersma, Justyna Kiliańczyk-Zięba, Nina Lamal, Margaret Meserve, Rachel Midura, Gautier Mingous, Ernesto E. Oyarbide Magaña, Caren Reimann, Chelsea Reutchke, Celyn David Richards, Paolo Sachet, Forrest Strickland, and Ramon Voges.
Buying and Selling
Buying and Selling explores the many facets of the business of books across and beyond Europe, adopting the viewpoints of printers, publishers, booksellers, and readers. Essays by twenty-five scholars from a range of disciplines seek to reconstruct the dynamics of the trade through a variety of sources. Through the combined investigation of printed output, documentary evidence, provenance research, and epistolary networks, this volume trails the evolving relationship between readers and the book trade. In the resulting picture of failure and success, balanced precariously between debt-economies, sale strategies and uncertain profit, customers stand out as the real winners.
Early Printed Books as Material Objects
The papers collected in this volume discuss descriptive methods and present conclusions relevant for the history of the book production and reception. Books printed in Europe in the 15th and 16th century still had much in common with manuscripts. They are not mere textual sources, but also material objects whose physical make-up and individual features need to be taken into account in library projects for cataloguing and digitization.
Dialogue on the Errors and Abuses of Painters
Giovanni Andrea Gilio’s Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Reformation. Relatively little is known about Gilio himself, a cleric from Fabriano, Italy. He was evidently familiar with Cardinal Alessandro Farnese’s lively court circle in Rome and dedicated his book to the cardinal. His text—available here in English in full for the first time—takes the form of a spirited dialogue among six protagonists, using the voices of each to present different points...
The Englishman's Italian Books, 1550-1700
In this learned and delightful book, John L. Lievsay shows how energetic English printers of the sixteenth and seventeenth centuries helped to bring the language and literature of Italy into England. His description of how these men, who were not usually troubled by modesty and sometimes not by honesty, capitalized on and helped to create the Englishman's appetite for things Italian will be welcomed by scholars; his analysis of the contents of libraries and catalogues and his commentary on the books themselves will be relished by those who enjoy the scholarship and the gossip behind the collecting and printing of books. In his first essay, "English Printers, Italian Texts," the author identi...
Chrysostomus Javelli’s Epitome of Aristotle’s Liber de bona fortuna
In this book, Valérie Cordonier and Tommaso De Robertis provide the first study, along with edition and translation, of Chrysostomus Javelli’s epitome of the Liber de bona fortuna (1531), the famous thirteenth-century Latin compilation of the chapters on fortune taken from Aristotle’s Magna Moralia and Eudemian Ethics. An Italian university professor and a prominent figure in the intellectual landscape of sixteenth-century Europe, Javelli (ca. 1470-ca. 1542) commented on nearly the entirety of Aristotle’s corpus. His epitome of the Liber de bona fortuna, the only known Renaissance reading produced on this work, offers an unparalleled insight into the early modern understanding of fortune, standing out as one of the most comprehensive witnesses to discussions on fate, fortune, and free will in the Western world.
