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Part I: Group Portrait with Language -- Chapter 1: A Poetics of the Cosmopolitan Language -- Chapter 2: My Tongue -- Chapter 3: A Cat May Look at a King -- Part II: Space, Place, and the Cosmopolitan Language -- Chapter 4: Territory / Frontiers / Routes -- Chapter 5: Tracks -- Chapter 6: Tribal Rugs -- Part III: Translation and Time -- Chapter 7: The Soul of a New Language -- Chapter 8: On First Looking into Mattā's Aristotle -- Chapter 9: "I Became a Fable" -- Chapter 10: A Spy in the House of Language -- Part IV: Beyond the Cosmopolitan Language -- Chapter 11: Silence -- Chapter 12: The Shadow of Latinity -- Chapter 13: Life Writing.
Each number is the catalogue of a specific school or college of the University.
In this history of black thought and racial activism in twentieth-century Brazil, Paulina Alberto demonstrates that black intellectuals, and not just elite white Brazilians, shaped discourses about race relations and the cultural and political terms of inclusion in their modern nation. Drawing on a wide range of sources, including the prolific black press of the era, and focusing on the influential urban centers of Sao Paulo, Rio de Janeiro, and Salvador da Bahia, Alberto traces the shifting terms that black thinkers used to negotiate their citizenship over the course of the century, offering fresh insight into the relationship between ideas of race and nation in modern Brazil. Alberto finds...
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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
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William Paulson believes that as contemporary science extends its influence over areas of thought that have long been the province of the humanities, scholars in literary disciplines may suffer for their lack of contact with work in the sciences of mind and information. In The Noise of Culture, he speculates on the role of literature in the post-literary culture of the information age and proposes a vital reorientation of the study of literature, both affirming its specificity and exploring its developing relationship with modem science. Paulson discusses literature in the context of information theory, particularly the theory of self-organizing and autonomous systems. Reviewing and building upon the work of such thinkers as Michel Serres, Henri Atlan, Francisco Varela, and Judith Schlanger, Paulson offers a new kind of conceptual vocabulary for literary theory. He concludes that literature functions as the noise of culture, a source of variety in the circulation and production of ideas and a rich and indeterminate margin through which messages are sent and transformed.
In v.1-8 the final number consists of the Commencement annual.