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Dmitri Shostakovich Catalogue
Dmitri Shostakovich (1906-75) was one of the greatest composers of the 20th century, as well as the first major Soviet composer. In the fourth edition of Dmitri Shostakovich Catalogue: The First Hundred Years and Beyond, Derek C. Hulme names and describes all known musical compositions of the Russian composer. More than 175 major works are annotated and discussed, including such comprehensive details as titles and subtitles, dates of composition, instrumentation, and duration; information on dedications and premieres; arrangements by the composer and others; publication details; notes on bibliographical references and the location of the autograph score; and comprehensive chronological lists...
Dmitri Shostakovich
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Dmitri Shostakovich
For general music lovers, musicians, gramophiles, and students, this is the new edition of a catalog that compiles all available information on the music of Shostakovich. The entries, arranged chronologically, cover the compositions work by work and include information such as title, form, instrumentation, year or period of composition, dedication, premiere, arrangements, music (former opus numbers, previous errors in numbering, publication), duration, ballets and films, and recordings. Cross-references point out material re- used in other compositions. In addition to other changes, revisions, and expansions, this edition substitutes previously unknown or approximate performance dates of many analogue recordings that were transferred to CD. Hulme, who has published numerous articles and recording notes on Shostakovich, states that this will be his final rewriting of the whole catalog. Annotation copyrighted by Book News, Inc., Portland, OR
Chamber Music
Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.
A Soviet Credo: Shostakovich's Fourth Symphony
Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to b...
The Cambridge Companion to Shostakovich
As the Soviet Union's foremost composer, Shostakovich's status in the West has always been problematic. Regarded by some as a collaborator, and by others as a symbol of moral resistance, both he and his music met with approval and condemnation in equal measure. The demise of the Communist state has, if anything, been accompanied by a bolstering of his reputation, but critical engagement with his multi-faceted achievements has been patchy. This Companion offers a starting point and a guide for readers who seek a fuller understanding of Shostakovich's place in the history of music. Bringing together an international team of scholars, the book brings research to bear on the full range of Shostakovich's musical output, addressing scholars, students and all those interested in this complex, iconic figure.
Shostakovich Studies 2
A collection of authoritative and up-to-date scholarship on one of the twentieth century's most important and enigmatic composers.
Shostakovich and His World
Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionna...
Dmitri Shostakovich
Hulme's catalogue of the composer's works was first published privately in 1982. This second edition adds greatly to the information contained therein and brings it up-to-date. For each numbered work and all the known unnumbered compositions, Hulme provides a short description, and lists date of composition, dedicatee, forces the work employs, location of the autograph score, duration, arrangements of the work, première(s), an extensive list of recordings, and references to bibliography items where the piece is discussed in any detail.
