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British Horror Film Locations
Designed as a source for enthusiasts of British horror films, this guide reveals the shooting locations of more than 100 films released between 1932 and 2006, from The Abominable Doctor Phibes (1971) to Witchfinder General (1968). Each entry includes cast/crew credits, a brief plot synopsis, and a description of the film's in-studio or on-site shooting locations; many include modern day photographs of the sites. Separate chapters provide in-depth accounts of individual locations. For the studio locations, the writeups include a complete list of the films produced at each studio and a brief description of the studio's historical development. Accounts of the on-site locations feature an in-depth physical description of the location and any available information on its present purpose and ownership.
In All Sincerity, Peter Cushing
In All Sincerity... Peter Cushing by Christopher Gullo with a foreword by Peter Sasdy In All SincerityPeter Cushing is a new book examining the career of the gentle man of horror. In a career spanning six decades and many mediums, including film, television, theatre, radio, and writing, Peter Cushing has been hailed as a consummate actor who was loved by both fans and co-workers alike. Whether through his early days touring with Laurence Olivier, becoming Englands first television star, recreating the characters of Baron Frankenstein and Abraham Van Helsing for Hammer Films, or appearing in Star Wars, the most famous science fiction film ever produced, Peter Cushing exemplified dignity, prep...
Hammer Complete
Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.
The Encyclopedia of Hammer Films
Dracula and Frankenstein. Christopher Lee and Peter Cushing. These are just a few of the icons of Hammer Films. To horror fans, the name “Hammer” conjures visions of hissing vampires and buxom beauties in low-cut negligees. But Britain’s Hammer Film Productions, Ltd., was much more than just a fright factory. For more than thirty years, the company turned out neatly crafted entries in a variety of genres, ranging from comedies to pirate yarns, murder mysteries to war pictures. At the heart of Hammer’s remarkable success was its access to American financing and American theaters. But more than that, the individuals behind the scenes knew how to make good films on tight budgets. These ...
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Imperial Japan on Screen, 1931-2022
This book deals with film depictions of Imperial Japan from the time it was a totalitarian power to the productions of recent years. It especially covers wartime depictions, as well as the historical events that inspire the stories behind these productions. In the 1930s, Hollywood gave us the likeable Mr. Moto at the same time Japan was set on its expansionist course. When war broke out, both the Allies and the Axis produced propaganda films that increased hatred for the enemy. In the postwar years as the Cold War took hold, the U.S. government encouraged friendship with their former wartime enemy. This book details correspondence between studio personnel and the Production Code office, as well as the critiques of film reviewers, historians and military figures from both sides of the conflict. Also examined are behind-the-scenes machinations from both the Japanese and American governments in the censorship of controversial film content.
The Mammoth Book of Best New Horror 20
The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by contemporary masters of the macabre, including the likes of Ramsey Campbell, Neil Gaiman, Brian Keene, Tanith Lee, Elizabeth Massie, Kim Newman, Michael Marshall Smith, and Gene Wolfe. The Mammoth Book of Best New Horror also includes a comprehensive annual overview of horror around the world in all its incarnations; an impressively researched necrology; and a list of indispensable contact addresses for the dedicated horror fan and aspiring writer alike. It is required reading for every fan of macabre fiction.
Historical Dictionary of British Cinema
British cinema has been around from the very birth of motion pictures, from black-and-white to color, from talkies to sound, and now 3D, it has been making a major contribution to world cinema. Many of its actors and directors have stayed at home but others ventured abroad, like Charlie Chaplin and Alfred Hitchcock. Today it is still going strong, the only real competition to Hollywood, turning out films which appeal not only to Brits, just think of Bridget Jones, while busily adding to franchises like James Bond and Harry Potter. So this Historical Dictionary of British Cinema has a lot of ground to cover. This it does with over 300 dictionary entries informing us about significant actors, producers and directors, outstanding films and serials, organizations and studios, different films genres from comedy to horror, and memorable films, among other things. Two appendixes provide lists of award-winners. Meanwhile, the chronology covers over a century of history. These parts provide the details, countless details, while the introduction offers the big story. And the extensive bibliography points toward other sources of information.
Anne Bancroft
Anne Bancroft (1931-2005) was an American film, television and stage actress, stage producer and film director. Respected for her acting prowess and versatility, she won the "Triple Crown"--an Oscar, a Tony and an Emmy. Her stage portrayal of Annie Sullivan in The Miracle Worker won the Tony Award for Best Lead Actress in 1959. She reprised the role for the 1962 film of the same name, winning the Oscar for Best Actress, but was perhaps best known as Mrs. Robinson in The Graduate (1967). Her extensive television work included numerous roles in movies and series, including Deep in My Heart (1999), for which she won an Emmy for Best Supporting Actress. A filmography/videography and information about DVD availability are included.
