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Derek H. Turner
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Making Prehistory
Scientists often make surprising claims about things that no one can observe. In physics, chemistry, and molecular biology, scientists can at least experiment on those unobservable entities, but what about researchers in fields such as paleobiology and geology who study prehistory, where no such experimentation is possible? Do scientists discover facts about the distant past or do they, in some sense, make prehistory? In this book Derek Turner argues that this problem has surprising and important consequences for the scientific realism debate. His discussion covers some of the main positions in philosophy of science - realism, social constructivism, empiricism, and the natural ontological attitude - and shows how they relate to issues in paleobiology and geology. His original and thought-provoking book will be of wide interest to philosophers and scientists alike.
Paleontology
In the wake of the paleobiological revolution of the 1970s and 1980s, paleontologists continue to investigate far-reaching questions about how evolution works. Many of those questions have a philosophical dimension. How is macroevolution related to evolutionary changes within populations? Is evolutionary history contingent? How much can we know about the causes of evolutionary trends? How do paleontologists read the patterns in the fossil record to learn about the underlying evolutionary processes? Derek Turner explores these and other questions, introducing the reader to exciting recent work in the philosophy of paleontology and to theoretical issues including punctuated equilibria and species selection. He also critically examines some of the major accomplishments and arguments of paleontologists of the last 40 years.
A Modern Journey
'A richly textured comic masterpiece' - Thomas Fleming Present day Dublin. Ambrose Sheehy-O'Connor is an unlikely protagonist whose wayward energy and imagination explode in unpredictable directions in a country consuming itself in culture wars. Ambrose is a 23 year old misfit, who has an otherworldly encounter, and becomes convinced he has a mission to convert a secularizing Ireland to his own bizarre religion. His strange appearance, gaucherie and naivety - plus a theology blended from medieval Christianity, fantasy novels and computer games - horrify his mother and spark ridicule and violent hatred. But he also finds devotees looking for any kind of leader. His quest brings him into confu...
Paleoaesthetics and the Practice of Paleontology
The practice of paleontology has an aesthetic as well as an epistemic dimension. Paleontology has distinctively aesthetic aims, such as cultivating sense of place and developing a better aesthetic appreciation of fossils. Scientific cognitivists in environmental aesthetics argue that scientific knowledge deepens and enhances our appreciation of nature. Drawing on that tradition, this Element argues that knowledge of something's history makes a difference to how we engage with it aesthetically. This means that investigation of the deep past can contribute to aesthetic aims. Aesthetic engagement with fossils and landscapes is also crucial to explaining paleontology's epistemic successes.
Sea Changes
An attempt at illegal immigration goes disastrously wrong, and dozens of dead bodies (and one survivor) - some bearing gunshot wounds - are washed up on England's remote east coast. _Sea Changes_ is the story of how they got there, and how Britain becomes engulfed in pity, guilt, political machinations and acute social tension.
Letters from London and Europe
The Leopard, published posthumously in 1958, was one of the most important works of fiction to appear in the Italian language in the twentieth century. Between 1925 and 1930, its author, Giuseppe Tomasi di Lampedusa, wrote a number of letters to his cousins Casimiro and Lucio Piccolo in which he describes his travels around Europe (London, Paris, Zurich, Berlin). The letters, here published in English for the first time, display much of Lampedusa's distinctive style present in his later work: not only the razor-sharp introspection, but also a wicked sense of humour, playful in its description of the comédie humaine.
Out of the Woods
SHORTLISTED FOR THE 2019 WAINWRIGHT BOOK PRIZE LONGLISTED FOR THE 2019 POLARI FIRST BOOK AWARD 'This is a book to get lost in . . . A disturbing trauma narrative, it's also a work of delightfully low, pants-dropping comedy, and a learned meditation' Guardian 'A brave and beautiful book, electrifying on sex and nature, religion and love. No one is writing quite like this' Olivia Laing 'Turns the nature memoir genre upon its head . . . is a book full of poetry and pathos. More than anything it is a bold and beautiful study of how to be a true modern man' Ben Myers, Spectator At a crossroads in his life, the demons Luke Turner has been battling since childhood are quick to return - depression and guilt surrounding his identity as a bisexual man, experiences of sexual abuse, and the religious upbringing that was the cause of so much confusion. It is among the trees of London's Epping Forest where he seeks refuge. Away from a society that struggles to cope with the complexities of masculinity and sexuality, Luke begins to accept the duality that has provoked so much unrest in his life - and reconcile the expectations of others with his own way of being.
Bishop Aethelwold
Æthelwold was a major figure in the ecclesiastical and political life of 10th-century England. This much-need appraisal of his life and work views him as monastic reformer, scholar and teacher.
Somebodies and Nobodies
Honest and insightful, this memoir is a revealing picture of our recent past, of sport and poetry, the spirit of New Zealand's south and its distinctive people. This is the story of a typical Dunedin childhood, surrounded by 'nobies' - an extended family of eccentric grandparents and uncles, cousins and neighbours - who made a huge impact on a young mind. It's also the story of a not-so-typical family that was fanatical about sport - cycling, hockey, cricket, golf, fishing - and went on to produce top-ranking sportsmen. It's also the story of the growth of one of New Zealand's most loved poets. It shows three boys who became somebodies, but no better nor worse than the nobodies who inspired them. This is Brian Turner's view of the world: the landscape and people he was surrounded by; the principles he was taught; his sporting achievements; the early development of his brothers; his time moving between jobs as distinct as rabbiting in Central Otago and working in Customs; and his entry into the world of books.
