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Awash with Colour
  • Language: en

Awash with Colour

  • Type: Book
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  • Published: 2002
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  • Publisher: BBC Books

A practical guide to the technique of watercolour painting, from initial sketch to finished piece, describing the various techniques and items of equipment needed along the way. This book is published to accompany the BBC TV series and features step-by-step demonstrations in full colour.

Ready to Paint Irish Landscapes in Watercolour
  • Language: en
  • Pages: 48

Ready to Paint Irish Landscapes in Watercolour

  • Type: Book
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  • Published: 2014-01-20
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  • Publisher: Gill Books

Expert watercolour tutor and television presenter, Dermot Cavanagh, shows how to paint five beautiful Irish landscapes, and tracings are provided so that readers can get straight down to painting.

Irish Landscapes in Watercolour
  • Language: en

Irish Landscapes in Watercolour

  • Categories: Art

The Ready to Paint series provides six tracings for readers to pull out and transfer on to watercolour paper. There is one for each of the five step-by-step demonstrations, plus a bonus tracing of the inspirational painting in the introduction section, and full instructions on how to transfer the images. People who want to learn to Irish Landscapes in watercolour without relying on their drawing skills have everything they need in this book. Renowned television presenter and watercolour tutor, Dermot Cavanagh, has created five step-by-step demonstrations depicting beautiful scenes from his native Ireland: the Argory, a National Trust property in County Tyrone, a Singing Pub in County Donegal, Glendalough, a historic site in County Wicklow, Glencar Lake in County Sligo and Doo Lough in County Mayo. There is also a beautiful Roscommon lake scene featuring Castle Island on Lough Key for readers to have a go at once they have mastered the skills learned from the demonstrations, and a tracing is provided for this too.

Edinburgh Introduction to Studying English Literature
  • Language: en
  • Pages: 273

Edinburgh Introduction to Studying English Literature

This introduction to the tools required for literary study provides all the skills, background and critical knowledge which students require to approach their study of literature with confidence.

Rhetoric and Courtliness in Early Modern Literature
  • Language: en
  • Pages: 222

Rhetoric and Courtliness in Early Modern Literature

Rhetoric and Courtliness in Early Modern Literature explores the early modern interest in conversation as a newly identified art. Conversation was widely accepted to have been inspired by the republican philosopher Cicero. Recognizing his influence on courtesy literature - the main source for 'civil conversation' - Jennifer Richards uncovers alternative ways of thinking about humanism as a project of linguistic and social reform. She argues that humanists explored styles of conversation to reform the manner of association between male associates; teachers and students, buyers and sellers, and settlers and colonial others. They reconsidered the meaning of 'honesty' in social interchange in an attempt to represent the tension between self-interest and social duty. Richards explores the interest in civil conversation among mid-Tudor humanists, John Cheke, Thomas Smith and Roger Ascham, as well as their self-styled successors, Gabriel Harvey and Edmund Spenser.

Love Your Home
  • Language: en

Love Your Home

  • Type: Book
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  • Published: 2015-11-18
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  • Publisher: Gill Books

The author teaches you how to understand the fundamentals of design - the importance of light, fundtion, proportion and connectivity. Taking you through each room in the house, he demonstrates how to improve your living space so that your problem house becomes a perfect home. -- Back cover.

Tyranny and Usurpation
  • Language: en
  • Pages: 240

Tyranny and Usurpation

This book investigates the political, legal, historical circumstances under which the 'tyrant' of early Tudor drama becomes conflated with the 'usurper-tyrant' of the commercial theatres of London, and how the usurpation plot emerges as one of the central preoccupations of early modern drama.

Medieval and Renaissance Drama in England
  • Language: en
  • Pages: 356

Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 19 reflects a variety of scholarly interests. The collection opens with two essays - each exploring different aspects of John Webster and James Shirley - that further our understanding of attribution studies. One essay - on the ownership of the Bell Savage Playhouse - showcases MaRDiE's ongoing interest in early playhouses, while another - on Marston's Entertainment at Ashby - addresses performance history. Two further essays discuss issues related to stage costuming. Issues of actual identity are raised in an essay concerning John Lyly's biography, while two other authors probe the complex connections between drama and economics. William Rowley's All Lost by Lust becomes the centerpiece for a reassessment of rape tragedy. S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.

Report of the Deputy Keeper of the Public Records in Ireland
  • Language: en
  • Pages: 902

Report of the Deputy Keeper of the Public Records in Ireland

  • Type: Book
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  • Published: 1876
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  • Publisher: Unknown

Includes calendars, catalogues and indexes of records, issued as appendices.

Persia in Early Modern English Drama, 1530–1699
  • Language: en
  • Pages: 300

Persia in Early Modern English Drama, 1530–1699

​This book is a study of the representation of the Persian empire in English drama across the early modern period, from the 1530s to the 1690s. The wide focus of this book, encompassing thirteen dramatic entertainments, both canonical and little-known, allow it to trace the changes and developments in the dramatic use of Persia and its people across one and a half centuries. It explores what Persia signified to English playwrights and audiences in this period; the ideas and associations conjured up by mention of ‘Persia’; and where information about Persia came from. It also considers how ideas about Persia changed with the development of global travel and trade, as English people came into people with Persians for the first time. In addressing these issues, this book provides an examination not only of the representation of Persia in dramatic material, but of the broader relationship between travel, politics and the theatre in early modern England.