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The Derveni Papyrus
The Derveni Papyrus: Unearthing Ancient Mysteries is devoted to this fascinating and challenging document, discovered in 1962 in a tomb in Derveni, near Thessaloniki, and dated c. 340-320 BCE. It contains a text probably written at the end of 5th c. BCE, which after some reflections on minor divinities and unusual cults, comments upon a poem attributed to Orpheus from an allegorical and philosophical perspective. This volume focuses on the restoration and conservation of the papyrus, the ideas of the anonymous author about Erinyes and daimons, the quoted Orphic poem in comparison with Hesiod’s Theogony and Parmenides’ poem, the exegetical approach of the commentator, his cosmogonic system, his attitude regarding mystery cults and his peculiar theology.
Studies on the Derveni Papyrus, volume II
Studies on the Derveni Papyrus, volume II brings together two new editions of the first fragmentarily extant columns of the Derveni Papyrus and seven scholarly articles devoted to their interpretation. The Derveni Papyrus is by far the most important textual discovery of the 20th century regarding early Greek philosophy, religion, exegetical theory and practice, linguistic ideas, and a host of other areas and issues. But the editorial and interpretative history of this extraordinary document has been very checkered. While the interpretation of the better preserved later columns is still highly controversial in many regards, at least the text of those columns has by and large found a scholarl...
The Derveni Papyrus
This book is based on an in-depth filmed conversation between Howard Burton and Richard Janko, Gerald F. Else Distinguished University Professor of Classical Studies at the University of Michigan. This wide-ranging conversation covers Prof. Janko’s research on the Derveni Papyrus, Europe’s oldest surviving manuscript from the 4th century BCE and the most important text relating to early Greek literature, science, religion and philosophy to have come to light since the Renaissance. This carefully-edited book includes an introduction, Discovering the Past, and questions for discussion at the end of each chapter: I. A Great Discovery - Followed by unparalleled foot-dragging II. Derveni Details - Setting the scene III. An Ancient Culture War - Societal strains in late 5th-century Athens IV. Rose-coloured Glasses? - Democratic biases V. Summing Up - Mathematical philology and Herculaneum speculations About Ideas Roadshow Conversations: Presented in an accessible, conversational format, Ideas Roadshow books not only explore frontline academic research but also reveal the inspirations and personal journeys behind the research.
The Derveni Papyrus
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The Derveni Papyrus
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The Derveni Papyrus
Gábor Betegh presents the first systematic reconstruction and examination of the Derveni papyrus and analyzes its role in the intellectual milieu of its age. Found in 1962 near Thessaloniki among the remains of a funeral pyre, it is one of the earliest surviving Greek papyri and is a document of primary importance for understanding religious and philosophical developments of the time of Socrates. The book will appeal strongly to classicists, philosophers and historians of religion.
Poetry as Initiation
The Derveni Papyrus, discovered accidentally in 1962, is the oldest known European book. Papers in Poetry as Initiation address many open questions about the papyrus, including its authorship, the context of the peculiar chthonic ritual described in the text, and the relationship of the author and the ritual to the so-called Orphic texts.
Logos and Muthos
Explores the philosophical dimensions present in the works of ancient Greek poets and playwrights.
The Derveni Krater
This beautifully illustrated book represents the first full publication of the most elaborate metal vessel from the ancient world yet discovered. Found in an undisturbed Macedonian tomb of the late 4th century B.C., the volute krater is a tour de force of highly sophisticated methods of bronze working. An unusual program of iconography informs every area of the vessel. Snakes with copper and silver inlaid stripes frame the rising handles, wrapping their bodies around masks of underworld deities. On the shoulder sit four cast bronze figures: on one side a youthful Dionysos with an exhausted maenad, on the other a sleeping Silenos and a maenad handling a snake. In the major repousse frieze on the body a bearded hunter is associated with Dionysian figures. What was the function of this extraordinary object? And what is the meaning of the intricate iconography? The krater is placed in its Macedonian archaeological context as an heirloom of the descendants of the man named in the Thessalian inscription on its rim, and in its art-historical context as a highly elaborated, early-4th-century version of a metal type known in Athens by about 470 B.C.
