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This volume deals with authors in exile - those writers who were forced to leave their home country after the National Socialists seized power in 1933. Although many of the authors have continued to receive recognition in their particular fields, whether film or adult literature, one group of artists has been overlooked - the authors and illustrators of children's literature. Now for the first time German Children's and Youth Literature in Exile, 1933-1050, has recorded and made accessible a wealth of information on these German-speaking authors and illustrators who emigrated to many different countries and regions of the world. German Children's and Youth Literature in Exile, 1933-1950, con...
This is the most comprehensive account to date of literary politics in Nazi Germany and of the institutions, organizations and people who controlled German literature during the Third Reich. Barbian details a media dictatorship-involving the persecution and control of writers, publishers and libraries, but also voluntary assimilation and pre-emptive self-censorship-that began almost immediately under the National Socialists, leading to authors' forced declarations of loyalty, literary propaganda, censorship, and book burnings. Special attention is given to Nazi regulation of the publishing industry and command over all forms of publication and dissemination, from the most presitigious publishing houses to the smallest municipal and school libraries. Barbian also shows that, although the Nazis censored books not in line with Party aims, many publishers and writers took advantage of loopholes in their system of control. Supporting his work with exhaustive research of original sources, Barbian describes a society in which everybody who was not openly opposed to it, participated in the system, whether as a writer, an editor, or even as an ordinary visitor to a library.
Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.
Demonstrates, contrary to conventional wisdom, that European modernism developed not only in the great metropolitan centers, but also in provincial cities such as Jena. The conventional wisdom is that the cultural sea change that was European modernism arose in urban centers like Berlin, Paris, Munich, and Vienna. Meike G. Werner's book, now in English translation, is a study of modernism in the provinces. Taking the small provincial city of Jena as a paradigmatic case, it re-creates the very different social and intellectual framework in which modernist experimentation occurred beyond the metropolitan centers. Invented traditions, social and spatial "liminality," and new ideas of social and...
Captures the learning process of Nazi-era literary exiles following in the footsteps of legendary literary exemplars of exile. Exile is as old as humanity itself but a radically new fate for the "novice" exile, who falls into a world about which personal experience can tell him nothing. He does, however, know a great number of stories -- myths, legends, allegories, biblical or historical accounts -- about exile. The novice's search for a foothold initiates a learning process in which the exilic tradition assumes a major role. The present book captures this learning process: it is a cultural history of exile as it was experienced by thousands of German and Austrian writers and intellectuals w...
A series of dictionaries on the contemporary milieu of the world's most important countries. The ContemporaryCountry Dictionary series are not tourist guides--though tourists with a serious interest in countries they are visiting will find them of great help in learning more about these societies. These alphabetical reference guides have been compiled to give up-to-date information on all aspects of each country--explanations of terms that are outside the scope of a standard dictionary or encyclopedia--including acronyms, political and legal institutions, cultural phenomena, social welfare programs, industrial concerns, media, literary and political personalities, and much more. Each Dictionary has been compiled by two people--a native of the individual country and an English-speaking collaborator from either Great Britain or the United States. Readers are thus assured of authoritative information that is rendered in terms comprehensible to English-language readers. The Dictionaries will prove invaluable to researchers, librarians, and students.
Among the Jewish academics and intellectuals expelled from Germany and Austria during the Nazi era were many specialists in German literature. Strangely, their impact on the practice of Germanistik in the United States, England, and Canada has been given little attention. Who were they? Did their vision of German literature and culture differ significantly from that of those who remained in their former homeland? What problems did they face in the American and British academic settings? Above all, how did they help shape German studies in the postwar era? This unique and important symposium, which convened at Brandeis University under the auspices of the its Center for German and European St...
Donahue presents Krolow's career from a wholly new perspective, presenting in sum, but overturning, decades of Krolow criticism that, begun on a false footing, missed the real historical depth in Krolow's poems: the depth of avoidance."--BOOK JACKET.
Baird (history, Miami U., Ohio) illuminates the political culture of the Third Reich by focusing on the regime's fascination with motifs of death. He traces the development of Nazi propaganda from the fields of Flanders in 1914 to the cult of death created by Hitler, Goebbels, and others during World War II. Annotation copyrighted by Book News, Inc., Portland, OR