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The Making of Jane Austen
An engaging account of how Jane Austen became a household name. Just how did Jane Austen become the celebrity author and the inspiration for generations of loyal fans she is today? Devoney Looser's The Making of Jane Austen turns to the people, performances, activism, and images that fostered Austen's early fame, laying the groundwork for the beloved author we think we know. Here are the Austen influencers, including her first English illustrator, the eccentric Ferdinand Pickering, whose sensational gothic images may be better understood through his brushes with bullying, bigamy, and an attempted matricide. The daring director-actress Rosina Filippi shaped Austen's reputation with her pionee...
Women Writers and Old Age in Great Britain, 1750-1850
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late caree...
The Cambridge Companion to Women's Writing in the Romantic Period
A wide-ranging and accessible account of the pioneering professional women writers who flourished during the Romantic period.
British Women Writers and the Writing of History, 1670-1820
Chosen by Choice Magazine as an Outstanding Academic Title Until recently, history writing has been understood as a male enclave from which women were restricted, particularly prior to the nineteenth century. The first book to look at British women writers and their contributions to historiography during the long eighteenth century, British Women Writers and the Writing of History, 1670-1820, asks why, rather than writing history that included their own sex, some women of this period chose to write the same kind of history as men—one that marginalized or excluded women altogether. But as Devoney Looser demonstrates, although British women's historically informed writings were not necessari...
Jane Austen and Discourses of Feminism
In recent decades the vision of Austen as a subversive or rebellious author has appeared most forcefully in the varied scholarship of feminist literary critics. Some feminists have fashioned an Austen more closely linked to what Juliet Mitchell has called 'The Longest Revolution' (the women's movement) than to the French Revolution; others have vehemently disagreed. Jane Austen and Discourses of Feminism involves - among other things - a reassessment of these versions of Austen's relationship to feminisms. By foregrounding issues of artistic merit, genre, and history, many literary critics have effectively ignored issues of gender in their studies of Austen; feminist scholarship provided an important corrective. On the other hand, some feminist criticism, although it approached Austen's texts in innovative ways, gave short shrift to issues of history, literary genre, social context, or artistry. This volume aims implicitly and explicitly to recap second-wave feminist attention to Austen and to suggest new directions that criticism on Austen might take.
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Sister Novelists
For readers of Prairie Fires and The Peabody Sisters, a fascinating, insightful biography of the most famous sister novelists before the Brontës. Before the Brontë sisters picked up their pens, or Jane Austen's heroines Elizabeth and Jane Bennet became household names, the literary world was celebrating a different pair of sisters: Jane and Anna Maria Porter. The Porters-exact contemporaries of Jane Austen-were brilliant, attractive, self-made single women of polite reputation who between them published 26 books and achieved global fame. They socialized among the rich and famous, tried to hide their family's considerable debt, and fell dramatically in and out of love. Their moving letters ...
Jane Austen and Performance
This is the first exploration of the performative and theatrical force of Austen’s work and its afterlife, from the nineteenth century to the present. It unearths new and little-known Austen materials: from suffragette novels and pageants to school and amateur theatricals, passing through mid-twentieth-century representations in Scotland and America. The book concludes with an examination of Austen fandom based on an online survey conducted by the author, which elicited over 300 responses from fans across the globe. Through the lens of performative theory, this volume explores how Austen, her work and its afterlives, have aided the formation of collective and personal identity; how they have helped bring people together across the generations; and how they have had key psychological, pedagogical and therapeutic functions for an ever growing audience. Ultimately, this book explains why Austen remains the most beloved author in English Literature.
Engaging the Age of Jane Austen
Humanities scholars, in general, often have a difficult time explaining to others why their work matters, and eighteenth-century literary scholars are certainly no exception. To help remedy this problem, literary scholars Bridget Draxler and Danielle Spratt offer this collection of essays to defend the field’s relevance and demonstrate its ability to help us better understand current events, from the proliferation of media to ongoing social justice battles. The result is a book that offers a range of approaches to engaging with undergraduates, non-professionals, and broader publics into an appreciation of eighteenth-century literature. Essays draw on innovative projects ranging from a Jane...
Drugs and the Addiction Aesthetic in Nineteenth-Century Literature
This book explores the rise of the aesthetic category of addiction in the nineteenth century, a century that saw the development of an established medical sense of drug addiction. Drugs and the Addiction Aesthetic in Nineteenth-Century Literature focuses especially on formal invention—on the uses of literary patterns for intensified, exploratory engagement with unattained possibility—resulting from literary intersections with addiction discourse. Early chapters consider how Romantics such as Thomas De Quincey created, with regard to drug habit, an idea of habitual craving that related to self-experimenting science and literary exploration; later chapters look at Victorians who drew from similar understandings while devising narratives of repetitive investigation. The authors considered include De Quincey, Percy Shelley, Alfred Tennyson, Christina Rossetti, Charles Dickens, Robert Louis Stevenson, and Marie Corelli.
