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Where No Black Woman Has Gone Before
When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television—a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema’s history of stereotyping or erasing black women on-screen, Where No Black Woman Has Gone Before showcases twenty-first-century examples that portray them as central figures of action...
Mixed Race Stereotypes in South African and American Literature
Mixed Race Stereotypes in South African and American Literature examines the popular literary stereotype, the tragic mulatto, from a transnational perspective. Mafe considers the ways in which specific South African and American writers have used this controversial literary character to challenge the logic of racial categorization.
The Book of Phoenix
'There's more vivid imagination in a page of Nnedi Okorafor's work than in whole volumes of ordinary fantasy epics' Ursula K. LeGuin Prequel to the highly acclaimed, World Fantasy Award-winning novel, Who Fears Death. *** ARTHUR C. CLARKE AWARD FINALIST*** They call her many things - a research project, a test-subject, a specimen. An abomination. But she calls herself Phoenix, an 'accelerated woman' - a genetic experiment grown and raised in Manhattan's famous Tower 7, the only home she has ever known. Although she's only two years old, Phoenix has the body and mind of an adult - and powers beyond imagining. Phoenix is an innocent, happy to live quietly in Tower 7, reading voraciously and ba...
African Women Writing Resistance
African Women Writing Resistance is the first transnational anthology to focus on women’s strategies of resistance to the challenges they face in Africa today. The anthology brings together personal narratives, testimony, interviews, short stories, poetry, performance scripts, folktales, and lyrics. Thematically organized, it presents women’s writing on such issues as intertribal and interethnic conflicts, the degradation of the environment, polygamy, domestic abuse, the controversial traditional practice of female genital cutting, Sharia law, intergenerational tensions, and emigration and exile. Contributors include internationally recognized authors and activists such as Wangari Maatha...
The Icarus Girl
A stunning first novel about spirits, twins and an extraordinary little girl
Clan Cleansing in Somalia
In 1991, certain political and military leaders in Somalia, wishing to gain exclusive control over the state, mobilized their followers to use terror—wounding, raping, and killing—to expel a vast number of Somalis from the capital city of Mogadishu and south-central and southern Somalia. Manipulating clan sentiment, they succeeded in turning ordinary civilians against neighbors, friends, and coworkers. Although this episode of organized communal violence is common knowledge among Somalis, its real nature has not been publicly acknowledged and has been ignored, concealed, or misrepresented in scholarly works and political memoirs—until now. Marshaling a vast amount of source material, i...
Undead Ends
Undead Ends is about how we imagine humanness and survival in the aftermath of disaster. This book frames modern British and American apocalypse films as sites of interpretive struggle. It asks what, exactly, is ending? Whose dreams of starting over take center stage, and why? And how do these films, sometimes in spite of themselves, make room to dream of new beginnings that don’t just reboot the world we know? Trimble argues that contemporary apocalypse films aren’t so much envisioning The End of the world as the end of a particular world; not The End of humanness but, rather, the end of Man. Through readings of The Road, I Am Legend, 28 Days Later, 28 Weeks Later, Children of Men, and Beasts of the Southern Wild, this book demonstrates that popular stories of apocalypse can trouble, rather than reproduce, Man’s story of humanness. With some creative re-reading, they can even unfold towards unexpected futures. Mainstream apocalypse films are, in short, an occasion to imagine a world After Man.
The Frontier States of Western Yorubaland
The Yorùbá are one of the peoples of West Africa affected by the demarcation of territories by European powers at the close of the nineteenth century. Although the bulk of the people are now found in South-western Nigeria, impressive indigenous Yorùbá communities are in the neighbouring Republics of Benin and Togo. This book is primarily concerned with the Yorùbá sub-groups in the latter two countries. The intention is to trace, with the aid of verbally transmitted historical source materials, supplemented with available written data, the pre-colonial socio-political developments of the subgroups.
The Smell of Slavery
Slavery, capitalism, and colonialism were understood as racially justified through false olfactory perceptions of African bodies throughout the Atlantic World.
Why Labelle Matters
“A smart, shrewd, joyful read, as piercing as any top C shriek from the woman who gave Labelle their name.” —Barney Hoskyns, author of Glam! Bowie, Bolan, and the Glitter Rock Revolution Performing as the Bluebelles in the 1960s, Patti LaBelle, Nona Hendryx, and Sarah Dash wore bouffant wigs and chiffon dresses, and they harmonized vocals like many other girl groups of the era. After a decade on the Chitlin Circuit, however, they were ready to write their own material, change their name, and deliver—as Labelle—an electrifyingly celestial sound and styling that reached a crescendo with a legendary performance at the Metropolitan Opera House to celebrate the release of Nightbirds and...
