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This collection of essays expands our understanding and appreciation of the body of work by established female authors of Spanish crime fiction series by analyzing recent narratives that, in some cases, contribute in novel ways to the ongoing reformulation of the genre and, in others, provide readers with a temporary hiatus from it. The studies offer students and scholars of crime fiction new perspectives on the works of well-known authors, as well as analyses of their often less-known narratives that may not fit within the genre. Readers will engage in an exploration of gender dynamics and sexuality, a variety of psychological and social issues, and the consequences of the indiscriminate consumption of media and abuse of the environment and animals in narratives that exhibit the versatility of these outstanding authors. The volume will appeal to a wide audience of literary and cultural studies critics, as well as crime fiction enthusiasts and newcomers to this popular genre.
Alone Together reinterprets the explosion of sentimental poetry and prose in fifteenth-century Iberia.
Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya’s renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation. The Art of Witnessing provides a new account of Goya’s print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya’s artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war’s atrocities was central to Goya’s project, the lasting power of the print series stems from the artist’s complex moral and aesthetic meditations on the subject. Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya’s masterpiece extends far beyond conventional understandings of visual testimony.
Sex, Drugs, and Fashion in 1970s Madrid explores changes in urban planning, narratives of sexual and gender identity, recreational drug use, and fashion design during the seventies.
Engaging with pre-feminist and male-authored crime literature, Resisting Invisibility offers a comparative reading of women's bodies as represented in Spanish crime literature from the mid-nineteenth century to the present. Utilizing the twin concepts of visibility and invisibility, the book establishes a genealogy of differing viewpoints regarding women's positions in these narratives, before and after the birth of the modern Spanish female detective. This examination of the politics of female visibility expands our understanding of the aesthetic regimes that have governed the female body from the early phases of the genre's evolution. While most scholars understand the feminization of the ...
This important collection of Spanish fascist writing makes it possible for the first time to fully incorporate Spain into the global history of fascism.
A Poetry of Things considers how cultural objects were used by poets in the years around 1600 - a time of social and economic crisis, but also of remarkable artistic and literary production.
The decades spanning from the 1960s to the 1980s in Spain were marked by a series of significant changes: a flourishing economy fuelled by tourism, widespread migration from rural areas to cities, the dissolution of the African empire, evolving gender and sexual norms, and a political transition from dictatorship to democracy. Volatile Whiteness argues that throughout this period, popular film genres such as comedies, crime thrillers, musicals, and religious cinema aimed to erode the racialized image of Spain as an "Africa of Europe" and establish the nation's belonging in global whiteness. The book explores how popular films shaped the attitudes of Spanish audiences towards racialized group...
Engaging with pre-feminist and male-authored crime literature, Resisting Invisibility offers a comparative reading of women’s bodies as represented in Spanish crime literature from the mid-nineteenth century to the present. Utilizing the twin concepts of visibility and invisibility, the book establishes a genealogy of differing viewpoints regarding women’s positions in these narratives, before and after the birth of the modern Spanish female detective. This examination of the politics of female visibility expands our understanding of the aesthetic regimes that have governed the female body from the early phases of the genre’s evolution. While most scholars understand the feminization o...
This interdisciplinary collection takes a deep dive into early modern Hispanic health and demonstrates the multiples ways medical practices and experiences are tied to gender.