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The Diana Chronicles
biography & autobiography: royalty.
Diana Vreeland: The Modern Woman
The first Vreeland book to focus on her three decades at Harper’s Bazaar, where the legendary editor honed her singular take on fashion. In 1936, Harper’s Bazaar editor in chief Carmel Snow made a decision that changed fashion forever when she invited a stylish London transplant named Diana Vreeland to join her magazine. Vreeland created “Why Don’t You?”—an illustrated column of irreverent advice for chic living. Soon she was named the magazine’s fashion editor—a position that Richard Avedon later famously credited Vreeland with inventing. The troika of Snow, legendary art director Alexey Brodovitch, and Vreeland formed a creative collaboration that continued Harper’s Ba...
Royal Couples
Few political families have captured the public's fascination quite like the members of the House of Windsor, the British royal family. This collection of articles compiles The New York Times's coverage of three of the best-known couples in modern history: Harry and Meghan, William and Kate, and Charles and Diana. Through these pieces, readers can witness firsthand the most publicized moments of each couple's story, including engagements, weddings, childbirth, and, in the case of Charles and Diana, a quite public divorce. Furthermore, articles on Diana's untimely, tragic death and Meghan Markle's activism and career as an actor make this an essential guide to the royal family's affairs.
Diana Cooper
Lady Diana Cooper was in her prime widely regarded as the most beautiful woman in England and the idol of her generation. She was witty, outrageous, generous and loyal. Famous as a member of the aristocratic and intellectual group 'The Cotorie', she later edited the magazine Femina before starting a career as an actress on the stage and then in films during the 1920s. Her husband, Duff Cooper, was parliament in 1924 and Diana continued as a society hostess until his retirement in 1947. Diana wrote three volumes of memoirs in the 1950s which are also published by Faber Finds, and she died in 1986 aged 93. Philip Ziegler's biography is a compulsive read, telling the story of a remarkable woman and her passionate life. 'For nine decades a symbol of all that is dashing and daring, a synonym for courage and wit and inspired friendship.' Sunday Telegraph 'Combines total honesty with total affection... A portrait which you can laugh over, cry over and think over as well.' Punch 'No wonder Evelyn Waugh loved her.' Scotsman
Life Class
In a celebration of her life and writing, this collection brings together four of Diana Athill's best-loved memoirs, spanning her very English childhood, her life and loves during World War II, her publishing career at Andre Deutsch, and her reflections on old age."
Stet
A New York Times Notable Book: This memoir of a career in book publishing “should please anyone who cares about twentieth-century literature” (The Washington Post Book World). For nearly five decades, Diana Athill edited (nursed, coerced, coaxed) some of the most celebrated writers in the English language, among them V. S. Naipaul, Philip Roth, John Updike, Jean Rhys, Mordecai Richler, Molly Keane, and Norman Mailer. A founding editor of the prestigious publishing house André Deutsch Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate insider’s portrait of the glories and pitfalls of ma...
Don't Look At Me Like That
In 1950s England, well-brought-up young women are meant to aspire to the respectable life. Some things are not to be spoken of; some are most certainly not to be done. There are rules, conventions. Meg Bailey obeys them. She progresses from Home Counties school to un-Bohemian art college with few outward signs of passion or frustration. Her personality is submerged in polite routines; even with her best friend, Roxane, what can't be said looms far larger than what can. But circumstances change. Meg gets a job and moves to London. Roxane gets married to a man picked out by her mother. And then Meg does something shocking - shocking not only by the standards of her time, but by our own. As sharp and startling now as when it was written, Don't Look at Me Like That matches Diana Athill's memoirs After a Funeral and Instead of a Letter in its gift for storytelling and its unflinching candour about love and betrayal.
Diana Vreeland Memos
A look behind the scenes at Diana Vreeland’s Vogue, showing the legendary editor in chief in her own inimitable words. When Diana Vreeland became editor in chief of Vogue in 1963, she initiated a transformation, shaping the magazine into the dominant U.S. fashion publication. Vreeland’s Vogue was as entertaining and innovative as it was serious about fashion, art, travel, beauty, and culture. Vreeland rarely held meetings and communicated with her staff and photographers through memos dictated from her office or Park Avenue apartment. This extraordinary compilation of more than 250 pieces of Vreeland’s personal correspondence—most published here for the first time—includes letters ...
Diana Vreeland
Diana Vreeland was the fashion editor of the twentieth century. She had an incredible aura of glamour and a genius for enlivening life with enticing fantasy. Diana Vreeland goes behind the scenes to tell her story—how, with innate talent and hard work, the imaginative and ambitious daughter of an old New York society family became a legendary arbiter of fashion and style. It reveals the growth of her professional prowess and details her personal history, as it captures Vreeland's pizzazz, humor, flair, and flamboyance. This beautiful book—with a new preface by Vreeland's protÉgÉ and renowned fashion authority AndrÉ Leon Talley—is lavishly illustrated with more than three hundred dra...
Empress of Fashion
Diane von Furstenberg once called Diana Vreeland a "beacon of fashion for the twentieth century." Now, in this definitive biography by Amanda Mackenzie Stuart, is the story of the iconic fashion editor as you've never seen her before. From her career at the helms of Harper's Bazaar and Vogue, to her reign as consultant to the Costume Institute at the Metropolitan Museum of Art, Vreeland had an enormous impact on the fashion world and left a legacy so enduring that must-have style guides still quote her often wild and always relevant fashion pronouncements. With access to Vreeland's personal material and photographs, critically acclaimed biographer Amanda Mackenzie Stuart has written the ultimate behind-the-scenes look at Diana Vreeland and her world—a jet-setting social scene that included Coco Chanel, Elsa Schiaparelli, Yves Saint Laurent, Hubert de Givenchy, Oscar de la Renta, Lauren Bacall, Penelope Tree, Lauren Hutton, Andy Warhol, Mick and Bianca Jagger, and the Kennedys. Filled with gorgeous color photographs of her work, Empress of Fashion: A Life of Diana Vreeland is an elegant and fascinating account of one of the most revered tastemakers of the 20th century.
