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Critical Essays on Arthur Morrison and the East End
In 1896, author Arthur Morrison gained notoriety for his bleak and violent A Child of the Jago, a slum novel that captured the desperate struggle to survive among London’s poorest. When a reviewer accused Morrison of exaggerating the depravity of the neighborhood on which the Jago was based, he incited the era’s most contentious public debate about the purpose of realism and the responsibilities of the novelist. In his self-defense and in his wider body of work, Morrison demonstrated not only his investments as a formal artist, but also his awareness of social questions. As the first critical essay collection on Arthur Morrison and the East End, this book assesses Morrison’s contributi...
British Aestheticism and the Urban Working Classes, 1870-1900
This cultural study reveals the interdependence between British Aestheticism and late-Victorian social-reform movements. Following their mentor John Ruskin who believed in art's power to civilize the poor, cultural philanthropists promulgated a Religion of Beauty as they advocated practical schemes for tenement reform, university-settlement education, Sunday museum opening, and High Anglican revival. Although subject to novelist's ambivalent, even satirical, representations, missionary aesthetes nevertheless constituted an influential social network, imbuing fin-de-siecle artistic communities with political purpose and political lobbies with aesthetic sensibility.
A Child of the Jago
“Learn to read and write, learn all you can, learn cunning, spare nobody and stop at nothing. … Do your devilmost … for the Jago’s got you!” Dicky Perrott, growing up in the notoriously criminal enclave of the Jago, listens and learns. Compelled by his family’s circumstances to provide for his mother and siblings, he sharpens his skills as a boy thief. Along the way, he navigates the Jago’s topsy-turvy ethics, vacillating between the rival messages of his mentors, a devious local fence and a righteous slum priest. Relentless in its bleakness and violence, A Child of the Jago captures the desperate struggle for survival in 1890s East London. This Broadview Edition provides the literary, socio-historical, and philosophical contexts vital to readers’ understanding and appreciation of the novel. Historical appendices include materials on eugenics, hooliganism, women’s sweated labor, cultural philanthropy, and the debate over the novel’s accuracy.
Liza of Lambeth
Following the publication of Liza of Lambeth, W. Somerset Maugham would go on to establish himself as one of the most prolific, best-selling novelists of the twentieth century. For all that Liza did not dramatize life in a thieves’ den or depict the poor as atavistic brutes, its honest treatment of working-class pastimes and appetites offended middle-class readers as much as the bludgeonings and chivings of Arthur Morrison’s violent A Child of the Jago had one year before. Maugham vividly captured a working-class couple’s illicit romance and a neighborhood’s collective surveillance and punishment of the woman’s promiscuity and the man’s marital infidelity. Today, the novel’s treatment of women’s experiences, working-class life, and health and medicine in the Victorian city are freshly relevant.
Wilde Writings
Featuring thirteen original essays that examine Wilde's achievements as an aesthete, critic, dramatist, novelist, and poet, this provocative and ground-breaking volume ushers the field of Oscar Wilde studies into the twenty-first century.
A Home from Home?
A pioneering study of children's social care in the late-nineteenth and early-twentieth centuries, A Home From Home? presents new information and develops conceptual thinking about the history of children's care by investigating the centrality of key ideas about home, family, and nurture that shaped welfare provision. Departing from narratives of reform and discipline which have dominated scholarship, and drawing on material culture and social history approaches, as well as the extensive archives of the Waifs and Strays Society, Claudia Soares provides a new type of study of social care by offering a 'bottom-up' study of children's welfare, and studying the significance of specific types of ...
The Late Victorian Gothic
Examining the automatic writing of the spiritualist séances, discursive technologies like the telegraph and the photograph, various genres and late nineteenth-century mental science, this book shows the failure of writers' attempts to use technology as a way of translating the supernatural at the fin de siècle. Hilary Grimes shows that both new technology and explorations into the ghostly aspects of the mind made agency problematic. When notions of agency are suspended, Grimes argues, authorship itself becomes uncanny. Grimes's study is distinct in both recognizing and crossing strict boundaries to suggest that Gothic literature itself resists categorization, not only between literary peri...
Liza of Lambeth
Following the publication of Liza of Lambeth, W. Somerset Maugham would go on to establish himself as one of the best-selling and most prolific novelists of the twentieth century. For all that Liza did not dramatize life in a thieves' den or depict the poor as atavistic brutes, its honest treatment of working-class pastimes and appetites troubled middle-class readers as much as the bludgeonings and chivings of Arthur Morrison's violent A Child of the Jago had one year before. Maugham vividly captured a working-class couple's illicit romance and a neighborhood's collective surveillance and punishment of the woman's alleged promiscuity and the man's marital infidelity. Today, the novel's treatment of women's experiences, working-class life, and health and medicine in the Victorian city are freshly relevant.
Children's Literature and the Rise of ‘Mind Cure'
Examination into how the new religious movement known as New Thought or "mind cure" influenced fin-de-siècle Anglophone children's fiction.
Neo-Gothic Narratives
Neo-Gothic Narratives defines and theorises what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it? Why do we let the Gothic redefine us? Why do we let it haunt us? Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect? Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history? Are we revisiting the trauma of English colonisation and seeking national identity? Or are we simply tourists who enjoy cruising through the otherworld? The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.
