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Paper of Wreckage
A jaw-dropping and unputdownable oral history of the New York Post and the legendary tabloid’s cultural impact from the 1970s to today as recounted by the men and women who witnessed it firsthand. By the 1970s, the country’s oldest continuously published newspaper had fallen on hard times, just like its nearly bankrupt hometown. When the New York Post was sold to a largely unknown Australian named Rupert Murdoch in 1976, staffers hoped it would be the start of a new golden age for the paper. Now, after the nearly fifty years Murdoch has owned the tabloid, American culture reflects what Murdoch first started in the 1970s: a celebrity-focused, noisy, one-sided media empire that reached its zenith with Fox News. Drawing on extensive interviews with key players and in-depth research, this eye-opening, wildly entertaining oral history shows us how we got to this point. It’s a rollicking tale full of bad behavior, inflated egos, and a corporate culture that rewarded skirting the rules and breaking norms. But working there was never boring and now, you can discover the entire remarkable true story of America’s favorite tabloid newspaper.
Heart to Heart With Robert Wagner
Drawing on their in-depth interviews with Robert Wagner, authors Maychick and Borgo provide us with a rare glimpse into the private and stormy life of a Hollywood legend. We see the good and the bad – from Robert’s early years as a struggling novice, when he coaxed his way onto the back lots of major studios to his meteoric rise to stardom. Maychick and Borgo also unveil Robert’s personal life, which has been filled with even more conflict and complexity. Heart to Heart details Robert’s passionate romance with Natalie Wood, their stormy first marriage, and subsequent remarriage, and how he dealt with her tragic death. Here is a fascinating, candid look into Robert Wagner’s private domain.
Party Animals
Allan Carr was Hollywoods premier party-thrower during the towns most hedonistic era the cocaine-addled, sexually indulgent 1970s. Hosting outrageous soirees with names like the Mick Jagger/Cycle Sluts Party and masterminding such lavishly themed opening nights as the Tommy/New York City subway premiere, it was Carr, an obese, caftan-wearing producer the ultimate outsider who first brought movie stars and rock stars, gays and straights, Old and New Hollywood together. From the stunning success of Grease and La Cage aux Folles to the spectacular failure of the Village Peoples Cant Stop the Music, as a producer Carrs was a rollercoaster of a career punctuated by major hits and phenomenal flops none more disastrous than the Academy Awards show he produced featuring a tone-deaf Rob Lowe serenading Snow White, a fiasco that made Carr an outcast, and is still widely considered to be the worst Oscars ever. Tracing Carrs excess-laden rise and tragic fall and sparing no one along the way Party Animals provides a sizzling, candid, behind-the-scenes look at Hollywoods most infamous period.
The Cambridge Companion to Tom Stoppard
Companion to the work of playwright Tom Stoppard who also co-authored screenplay of Shakespeare in Love.
Acting for America
A captivating cast of 1980s power and talent--John Candy, Tom Cruise, Robert DeNiro, Clint Eastwood, Sally Field, Harrison Ford, Michael J. Fox, Mel Gibson, Goldie Hawn, Jessica Lange, Steve Martin, Eddie Murphy, Arnold Schwarzenegger, Sissy Spacek, Sylvester Stallone, Meryl Streep, Sigourney Weaver, Bruce Willis, and the "Brat Pack"—stars in the drama of this decade. Acting for America focuses on the way these film icons have engaged in and defined some major issues of cultural and social concern to America during the 1980s. Scholars employing a variety of useful approaches explore how these movie stars' films speak to an increased audience awareness of advances in feminism, new ideas about masculinity, and the complex political atmosphere in the Age of Reagan. The essays demonstrate the range of these stars' contributions to such conversations in a variety of films, including blockbusters and major genres.
William Holden
William Holden was a Hollywood star whose career spanned four decades, more than 70 films and three Academy Award nominations. "Golden Holden" won an Oscar for his role in Stalag 17 and, after films like Sunset Blvd., he became one of Hollywood's most powerful stars in the late 1950s. His personal life included international adventures and romances with such stars as Audrey Hepburn and Grace Kelly, yet he suffered from alcoholism and clinical depression. This biography covers his entire life and career, from boyhood through his greatest successes, short decline, re-emergence in The Wild Bunch, and his legacy of support for African wildlife.
The Actress
The Actress: Hollywood Acting and the Female Star investigates the contemporary film actress both as an artist and as an ideological construct. Divided into two sections, The Actress first examines the major issues in studying film acting, stardom, and the Hollywood actress. Combining theories of screen acting and of film stardom, The Actress presents a synthesis of methodologies and offers the student and scholar a new approach to these two subjects of study.
In the Limelight and Under the Microscope
A timely collection exploring the politics of female celebrity across a range of contemporary, historical, media and national contexts. >
Presenting Persis Khambatta
In 1965, 18-year-old Persis Khambatta became the third woman to be crowned Miss India. After moving to England and then to the United States, she found worldwide fame in the first Star Trek movie in 1979, and in 1980 she became the first Indian presenter at the Academy Awards. The American film industry seemed never to forgive Khambatta for being a non-white woman who refused to do nude scenes. After failing to sustain a career as either a producer or a performer, she achieved a triumph before her sudden death in 1998 with the publication of her book Pride of India: A Tribute to Miss India. Based on contemporary news articles and primary sources, this first biography examines Khambatta's Hindi and English-language film and television work, and demonstrates the many ways she was ahead of her time as a filmmaker, feminist, and humanitarian.
Hank and Jim
Biographer and film historian Scott Eyman spoke with Fonda's widow and children as well as three of Stewart's children, plus actors and directors who had worked with the men - in addition to doing extensive archival research to get the full details of their time together. Print run 100,000.
