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Between Argentines and Arabs
Between Argentines and Arabs is a groundbreaking contribution to two growing fields: the study of immigrants and minorities in Latin America and the study of the Arab diaspora. As a literary and cultural study, this book examines the textual dialogue between Argentines of European descent and Arab immigrants to Argentina from the mid-1800s to the mid-1900s. Using methods drawn from literary analysis and cultural studies, Christina Civantos shows that the Arab presence is twofold: "the Arab" and "the Orient" are an imagined figure and space within the texts produced by Euro-Argentine intellectuals; and immigrants from the Arab world are an actual community, producing their own texts within the multiethnic Argentine nation. This book is both a literary history—of Argentine Orientalist literature and Arab-Argentine immigrant literature—and a critical analysis of how the formation of identities in these two bodies of work is interconnected.
Identity and Ideology
In a study drawing on contemporary and 18th-century literary theory and philosophy, social history and history of the theatre, Hayes presents a reading of the dramas of Diderot and Sade and argues for a new understanding of the genre as a whole.
Flaubert's Straight and Suspect Saints
Israel Pelletier argues that "Trois contes" demands a different kind of reading which distinguishes it from "Madame Bovary" and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of "Un Coeur," an assessment of "Saint Julien" as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of "Herodias" as an autobiography of the writing process.
Facundo
An educator and writer, Sarmiento was President of Argentina from 1868 to 1874. His Facundo is a study of the Argentine character, a prescription for the modernization of Latin America, and a protest against the tyranny of the government of Juan Manuel de Rosas (1835-1852). The book brings nineteenth-century Latin American history to life even as it raises questions still being debated today--questions regarding the "civilized" city versus the "barbaric" countryside, the treatment of indigenous and African populations, and the classically liberal plan of modernization.
Are Italians White?
This dazzling collection of original essays from some of the country's leading thinkers asks the rather intriguing question - Are Italians White? Each piece carefully explores how, when and why whiteness became important to Italian Americans, and the significance of gender, class and nation to racial identity.
Madness in Buenos Aires
Madness in Buenos Aires: Patients, Psychiatrists and the Argentine State, 1880-1983 examines the interactions between psychiatrists, patients, and their families, and the national state in modern Argentina. This book offers a fresh interpretation of the Argentine state's relationship to modernity and social change during the twentieth century, while also examining the often contentious place of psychiatry in modern Argentina. Drawing on a number of previously untapped archival sources, Jonathan Ablard uses the experience of psychiatric patients as a case study of how the Argentine state developed and functioned over the last century and of how Argentines interacted with it. Ablard argues tha...
Intimate, Intrusive, and Triumphant
Concentrating on the reader places the entire epistolary exchange in a new light and accentuates the use of the word as an instrument of power and the letter as a tool for domination.
Argentine Serialised Radio Drama in the Infamous Decade, 1930–1943
In her study of key radio dramas broadcast from 1930 to 1943, Lauren Rea analyses the work of leading exponents of the genre against the wider backdrop of nation-building, intellectual movements and popular culture in Argentina. During the period that has come to be known as the infamous decade, radio serials drew on the Argentine literary canon, with writers such as Héctor Pedro Blomberg and José Andrés González Pulido contributing to the nation-building project as they reinterpreted nineteenth-century Argentina and repackaged it for a 1930s mass audience. Thus, a historical romance set in the tumultuous dictatorship of Juan Manuel de Rosas reveals the conflict between the message trans...
Sarmiento
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Harbinger of Modernity
In Harbinger of Modernity: Marcos Aguinis and the Democratization of Argentina, Dalia Wassner presents an integrated analysis of the civic work and literary oeuvre of Marcos Aguinis, who served as Secretary of Culture during Argentina’s transition from dictatorship to democracy. Situating his writings in their historical and intellectual context, Wassner explores Aguinis’s engagement with the dialectic of modernization as a Jewish public intellectual equally dedicated to fostering Argentine democracy and to inscribing himself in the annals of westernization. Encompassing intellectual history, literary criticism, Latin American history, and Jewish studies, Wassner’s work illuminates the intersecting roles of Jews and public intellectuals in bringing democracy to post-dictatorship Argentina.
