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The Virtuoso as Subject
  • Language: en
  • Pages: 355

The Virtuoso as Subject

This book offers a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception between c. 1815 and c. 1850, documenting it with a large number of examples from Europe’s leading music periodicals at the time. The increasingly hostile critical reception of instrumental virtuosity during this period is interpreted from the perspective of contemporary aesthetics and philosophical conceptions of human subjectivity; the book’s main thesis is that virtuosity qua irreducibly bodily performance generated so much hostility because it was deemed incompatible with, and even threatening to, the new Romantic philosophical conception of music as a radically...

The Scid Mouse
  • Language: en
  • Pages: 254

The Scid Mouse

During routine genetic screening of several immunoglobulin heavy chain congenic mouse strains in 1980, one of us (MB) was surprised to find that several mice in the C.B-17IIcr strain, which was being maintained in a specific-pathogen-free facility of the Fox Chase Cancer Center (Philadelphia, PA), did not express serum immunoglobulin of the appropriate allotype. Fearing an error in the breeding of these mice, the sera of the suspect mice were screened for other allotypes. When these tests revealed a complete absence of serum immunoglobulin, it became apparent that a mutation had probably occurred in the C.B-17IIcr line. Further analysis revealed that a single breeding pair was respon sible for all of the immunoglobulin negative mice and that the defect showed recessive inheritance. Thus was the C.B-17/Icr scid or severe combined immune deficient (scid) mouse discovered. Although it has taken most animal facilities several years to breed scid mice of high quality for experimental purpose, it was clear by 1987 that many investigators were beginning to exploit the unique qualities of the scid mouse for studies in several areas.

Transcendental Wordplay
  • Language: en
  • Pages: 546

Transcendental Wordplay

Throughout the first half of the nineteenth century, America was captivated by a muddled notion of "etymology." New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay. Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened "romantic irony." Notable punsters or etymologists all, they gleefully set up as sages, creating jocular masterpieces from their zest for oracular wordplay. Their search for a primal language lurking beneath all natural languages ...

Hamilton Babylon
  • Language: en
  • Pages: 280

Hamilton Babylon

  • Categories: Art

Founded in 1966 at McMaster University by avant-garde filmmaker John Hofsess and future frat-comedy innovator Ivan Reitman, the McMaster Film Board was a milestone in the development of Canada’s commercial and experimental film communities. McMaster’s student film society quickly became the site of art filmmaking and an incubator for some of the country’s most famous commercial talent – as the well as the birthplace of the first Canadian film to lead to obscenity charges, Hofsess’s Columbus of Sex. In Hamilton Babylon, Stephen Broomer traces the history of the MFB from its birth as an organization for producing and exhibiting avant-garde films, through its transformation into a commercial-industrial enterprise, and into its final decline as a show business management style suppressed many of its voices. The first book to highlight the work of Hofsess, an innovative filmmaker whose critical role in the MFB has been almost entirely eclipsed by Reitman’s legend, Hamilton Babylon is a fascinating study of the tension between art and business in the growth of the Canadian film industry.

Catalog of Copyright Entries. Third Series
  • Language: en
  • Pages: 1510
L'Art musical: Keyword-author index, Pattison-Zwanziger
  • Language: en
  • Pages: 416

L'Art musical: Keyword-author index, Pattison-Zwanziger

  • Type: Book
  • -
  • Published: 1988
  • -
  • Publisher: Unknown

None

L'Art musical
  • Language: en
  • Pages: 456

L'Art musical

  • Type: Book
  • -
  • Published: 1988
  • -
  • Publisher: Unknown

None

L'Art musical: Keyword-author index, Exécution-Patti
  • Language: en
  • Pages: 440

L'Art musical: Keyword-author index, Exécution-Patti

  • Type: Book
  • -
  • Published: 1988
  • -
  • Publisher: Unknown

None

Some Descendants of François Demers Dit Chedville (1773-1861) and Charlotte Davignon Dit Beauregard (1781-1832)
  • Language: en
  • Pages: 1076

Some Descendants of François Demers Dit Chedville (1773-1861) and Charlotte Davignon Dit Beauregard (1781-1832)

  • Type: Book
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  • Published: 1997
  • -
  • Publisher: Unknown

Andre Dumay/Dumetz/DeMers (1628-1711), son of Jean Dumay and Barbe Mauger of St. Jacques, Dieppe, Rouen, France, immigrated to Quebec where he married Marie Chefville/Chedville in Montreal in 1654. One descendant, Francois DeMers (1773-1861), was born in Chambly, Quebec. He married Marie Charlotte Davignon dit Beauregard in 1797 in St. Antoine de Longueuil, Quebec. Descendants lived in Canada, Minnesota, Illinois, New York, California, Nebraska, and elsewhere.

The Michael Hartman Dillow and Anna Margareth Holshouser Family: Michael, Sr. (1755-1805)
  • Language: en
  • Pages: 554

The Michael Hartman Dillow and Anna Margareth Holshouser Family: Michael, Sr. (1755-1805)

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

Chiefly a record of some of the descendants of Michael Hartman Dillow. Michael was born ca. 1755 in Pennsylvania. He married Anna Margareth Holshouser ca. 1774 probably in North Carolina. He died ca. 1805 in Salisbury, North Carolina. They were the parents of seven known children.