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DIVA major new look at the life and career of a pioneering woman artist/div
"This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although fashionable subjects have been depicted throughout history, for many artists and writers, including Charles Baudelaire, Stéphanie, Mallarmé, Êmile Zola, Gustave Caillebotte, Edgar Degas, Édouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression."--Book jacket.
"In 1908, Rainer Maria Rilke wrote his "Requiem for a Friend" in memory of Paula Modersohn-Becker, the German painter who had had a profound effect on him, both personally and artistically, and who had died a year earlier. Modersohn-Becker, despite being one of the great modern painters, is today remembered primarily as she is portrayed in that poem. In Dear Friend, Eric Torgersen looks at the relationship of these two great artists whose vexed seven-year friendship was extraordinarily productive for both, and offers an introduction to the life and work of Modersohn-Becker, a gifted and determined woman whose work stands comparison with that of any painter of her day." "Included in the book ...
Recognized today as one of the great modernist painters, Paula Modersohn-Becker was also a gifted writer, and her large body of letters and journals represent the story of her life. This volume presents the journals and every extant letter, each carefully annotated.
‘A luminous tale about the courage of the lone female artist.’ Joan London Born in Germany in 1876, Paula Modersohn-Becker was the first female artist to paint herself not only naked but pregnant. Being Here is a moving account of the life of this ground-breaking Expressionist painter, by the acclaimed French writer Marie Darrieussecq. As her art evolves, Paula is torn between Paris and her home in northern Germany. In Paris she can focus on her work, and mix with artists like Rodin and Monet, or her close friend the poet Rainer Maria Rilke. But Germany is home, and that’s where her painter husband Otto lives. Darrieussecq thrillingly describes Paula’s discovery of her style and choi...
Munich's Academy of Fine Arts, founded in 1808, became one of the most important institutions In Europe for training artists in the second half of the 19th century. The Academy attracted students from across Europe, and the United States. This volume examines the ?Munich school, ? its development and influence, the migration of its style and the effect art students have on their surroundings. Existing studies of American painters in Munich focus on leading representatives from the peak of the movement in the early 1870s and 1880s, when the realism of the returning artists' paintings caused something of a sensation in the American art world, up to the 1930?s. This complex phenomenon must be investigated in its entirety, taking into account the development of styles and genres over half a century, experienced by more than 420 American students, and also by a number of American artists who studied elsewhere in town.
Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.
As writers such as Virginia Woolf, Audre Lorde, and Anais Nin recognized, keeping a journal is a powerful tool of creative expression and self-healing. In A Voice of Her Own - a companion for both new and longtime diarists - Marlene Schiwy shows that journal writing is the ideal way to find one's individual voice, an opportunity for women to explore feelings, intuitions, perceptions, and ideas often suppressed in our society, and to record the truths of their own experience. Schiwy invites readers to share the journeys other women have made toward selfhood and encourages them to begin a journey of their own. She weaves together passages from published and unpublished journals, from works of literature, psychology, and women's studies with her personal insights. A Voice of Her Own is a treasure chest of inspiration for every woman seeking deeper self-awareness and new outlets for creativity.
Introduction: a peculiar experiment -- Kinaesthetic knowing: the nineteenth-century biography of another kind of knowledge -- Looking: Wölfflin's comparative vision -- Affecting: Endell's mathematics of living feeling -- Drawing: the Debschitz school and formalism's subject -- Designing: discipline and introspection at the Bauhaus -- Epilogue
Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich ...