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Empowering A Legacy
"The chronicle of Hamer Shafer's rise from humble beginnings to navigate Muncie Power to a leader in the industry is the story of America. In these pages the reader will find a celebration of the empowering values of an extraordinary man whose service above self has left a legacy to his community and Muncie Power that will endure for future generations to come." The Rev. Dr. Ronald L. Naylor “The story of Muncie Power Products and the people who built it is an affirmation of American opportunity, smart work, and civic generosity. From its founding in 1935 to the present, the company and its leaders have been consistently dedicated to achieving excellence and exemplifying ethical values. The translation of these values into philanthropy has left a unique legacy to Muncie and Indiana. This book, carefully researched and documented, tells the story in an engaging manner which will both motivate and inspire.” Stefan Anderson Retired Chairman and CEO, First Merchants Corp. Keywords: Hamer Shafer, Biography, Muncie Power Products, Muncie, IN, Phyllis Shafer, Shafer Leadership Academy, Shafer Tower, Ball State University, Shafer Carillon, Power Take-offs
Orphan Train Riders
From 1854 to 1929 about 150,000 orphans from New York City and the surrounding area were placed in homes in the Midwest and West. The children were sent out on "Orphan Trains." This is the first volume in a series of stories written by orphan train riders and their descendants.
Amazons and Military Maids
A study based on memoirs, letters, diaries and historical archives, tracing the careers of women from the 1700s who have lived and worked as men. The tensions that these women came to accept as the price of their tentative freedom aim to provide clues to the understanding of sexual roles.
The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic
Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history.
Humour in Dutch Culture of the Golden Age
The humorous side of Dutch culture of the seventeenth century is obscured by a change that took place around 1670. Religious treatises and books of manners warning against laughter contributed to a new image, that of the humourless, Calvinist Dutch. Mainly based on a manuscript with some two thousand jokes, the lost laughter of the Golden Age is reconstructed and analyzed. Most jokes are crude and obscene, and they throw new light on attitudes towards sexuality, religion and other aspects of life.
Negotiating Differences
This book explores the dynamics of peaceful coexistence in the Dutch Republic by tracing the literary responses to one of the key controversies between Protestants and Catholics – the role of religious imagery in worship. Why and to what extent were people in the Republic willing to reconcile theological differences and combine elements from their own religious cultural practices with those of another? The intermingling of practices, the author shows, was unexpectedly complicated in the Republic. Restraints were imposed on the use of images in religious literature of all denominations till 1650. Evidence of negotiations appears after 1650, however, as Dutch Protestants absorbed significant aspects of Catholic visual traditions into their own. Religious toleration had clearly become a matter of sharing rather than enduring for the Protestants, but retained features of a monologue since Dutch Catholics were then developing a new, idiosyncratic identity of their own.
Annual Report
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The Amsterdam Town Hall in Words and Images
The most famous monument of the Dutch Golden Age is undoubtedly the Amsterdam Town Hall by architect Jacob van Campen inaugurated in 1655. Today we stand in awe confronted with the grand Classicist façade, the delightful horror of the sculptures in the Tribunal, and the magnificence of the huge Citizens' Hall. In the period of its construction, many artists and writers tried to capture the overwhelming impact of the building by, among other comparisons, relating it to the ancient Wonders of the World and by stressing its splendour, riches, and impressive scale. In doing so, they constructed the Town Hall as the ultimate wonder, thus offering a silent, but very powerful testimony to the powe...
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Surveys 385 periodicals of the Left from around the world. Provides descriptions of content, history, noted contributors, contact information, and guidelines for writers and detailed statistics for each publication.
