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The Work of Friendship
Develops a theory of friendship as a space that is neither public nor private.
Fraught Decisions in Plato and Shakespeare
In the reincarnation myth in Book X of Plato’s Republic, the unnamed first soul, who has lived a good life and has been rewarded in the afterlife, chooses a new life and fate, and chooses catastrophically badly. He finds himself fated to eat his own children. Despite being warned to blame only himself, he wails and blames anything and everything else in his conviction that his fate is undeserved. Though he should not be shocked because he has made this choice himself, he is incredulous because he has completely misunderstood the nature of his choice. Starting with Plato’s myth, this book looks at the errors this soul has made and considers these errors through both the Republic and a ser...
Remains of a Self
From the twentieth century in the twenty-first, psychoanalysis and deconstruction have challenged, and continue to challenge, our conceptions of subjectivity and selfhood. Psychoanalysis revealed that even in our innermost households we are never quite alone; rather, instances of “otherness” incessantly interfere in our most intimate relation to ourselves, forcing us to adapt continuously. Deconstruction, inheriting both this psychoanalytic disclosure and Heidegger’s destruction of the history of metaphysics, went to the foundations of the Western constructions of “the subject” and “the self,” only to find how a destabilizing otherness was always already haunting them. What, if...
All for Nothing
Hamlet as performed by philosophers, with supporting roles played by Kant, Nietzsche, and others. A specter is haunting philosophy—the specter of Hamlet. Why is this? Wherefore? What should we do? Entering from stage left: the philosopher's Hamlet. The philosopher's Hamlet is a conceptual character, played by philosophers rather than actors. He performs not in the theater but within the space of philosophical positions. In All for Nothing, Andrew Cutrofello critically examines the performance history of this unique role. The philosopher's Hamlet personifies negativity. In Shakespeare's play, Hamlet's speech and action are characteristically negative; he is the melancholy Dane. Most would a...
Shakespeare and Continental Philosophy
This collection of 15 essays by celebrated authors in Shakespeare studies and in continental philosophy develops different aspects of the interface between continental thinking and Shakespeare's plays.
Pragmatism, Politics, and Perversity
The political project of pragmatism has focused primarily on its defense of democracy as the best political system to maintain and improve human well-being over lifetimes and generations. Pragmatism Politics and Perversity: Democracy and the American Party Battle describes this project of Peirce, Dewey, Hook, and Rorty, and combines it with Charles Beard’s study of the party battle as the most determinative influence upon American democracy. The book updates and confirms Beard’s hypothesis that the history of the party battle is a chronicle of perverse schemes and self-inflicted wounds – the most salient to date being the American Civil War – because it reflects a ceaselessly disrupt...
The Owl at Dawn
A present-day continuation of the philosophical narrative presented in G.W.F. Hegel's Phenomenology of Spirit that confronts every major post-Hegelian philosophical position and arrives at an original reconception of the purpose of dialectical phenomenology.
Refugees
There have never been more refugees, across the world from Myanmar to Syria, than at this moment. Many more millions of refugees are likely to be displaced by the effects of climate change. Why has politics failed to produce adequate responses to these challenges, and not heeded the lessons of refugee crises of the past? Are human rights and international law, or more radically, the case for 'open borders', sufficient to address them? Nathan Bell argues for nothing less than a new concept of the political: that societies (liberal or not, in the mode of the sovereign state or some other form) embrace an ethos of responsibility for others, where the right to seek asylum becomes foundational fo...
The Exploding Eye
The Exploding Eye explores the work of lesser-known American experimental filmmakers whose work has been excluded from the dominant film canon. Although the works of such artists as Michael Snow, Stan Brakhage, Bruce Conner, Robert Nelson, and Maya Deren are well-known to the contemporary scholar of independent cinema, there is an entire body of work created in the American experimental cinema that has been overlooked, work of considerable beauty and influence that was enthusiastically received when first released and that is still available for viewing today, awaiting long-overdue rediscovery. Featuring more than seventy rare stills and complete information on the films and filmmakers covered, The Exploding Eye offers a fresh vision of American experimental film for critics, scholars, and the general reader.
Discipline and Critique
Andrew Cutrofello demonstrates that in light of Michel Foucault's genealogical criticisms of the juridical model of power, it is possible to develop a postjuridical model of Kantian critique. Recasting game theory's celebrated "prisoner's dilemma" in Foucauldian terms, Cutrofello illuminates the techniques of mutual betrayal that train bodies to reason themselves into complicity with forces of subjugation. He shows how a genealogically reformulated version of Kantian ethics can provide the basic parameters of a "discipline of resistance" to such forces, and he argues for a more nuanced assessment of the stakes involved in the demise of philosophy as a disciplinary formation. Along the way, Cutrofello presents fascinating readings of Kant's own "care of the self" ethic, drawing on the conceptual resources of Gilles Deleuze, Jacques Lacan, and Luce Irigaray. This tour-de-force will prompt social theorists to reconsider the way power functions in our modern/postmodern world.
