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The DPhotographer
In 1986, Afghanistan was torn apart by a war with the Soviet Union. This graphic novel/photo-journal is a record of one reporter’s arduous and dangerous journey through Afghanistan, accompanying the Doctors Without Borders. Didier Lefevre’s photography, paired with the art of Emmanuel Guibert, tells the powerful story of a mission undertaken by men and women dedicated to mending the wounds of war. Emmanuel Guibert’s most recent book for First Second was the critically acclaimed Alan’s War, the memoir of a WWII G.I. His close friendship with Didier Lefevre inspired him to combine art and photography to create this momentous book.
Drawing on the Past
Lange wurden Comics als triviale Unterhaltung verpönt. Erst in den letzten Jahrzehnten hat sich das geändert. Immer häufiger sind sie zum Medium der Wahl für Künstlerinnen und Künstler geworden, die kritisieren wollen, wie die etablierten Medien mit politischen Fragen umgehen. Dieses Buch untersucht das Potenzial von dokumentarischen Comics im Kontext einer sich schnell verändernden und immer weiter entwickelnden visuellen Kultur. Im Mittelpunkt steht dabei gerade auch die Darstellung historischer Ereignisse und die Auseinandersetzung mit Fotografie.
We Shall Bear Witness
An international array of human rights advocates, scholars, and survivor-writers examine the profound and complex impact of personal testimony about human rights abuses as expressed through autobiography, documentary film, report, oral history, blog, and verbatim theater.
Human Rights Discourse in a Global Network
In her innovative study of human rights discourse, Lena Khor takes up the prevailing concern by scholars who charge that the globalization of human rights discourse is becoming yet another form of cultural, legal, and political imperialism imposed from above by an international human rights regime based in the Global North. To counter these charges, she argues for a paradigmatic shift away from human rights as a hegemonic, immutable, and ill-defined entity toward one that recognizes human rights as a social construct comprised of language and of language use. She proposes a new theoretical framework based on a global discourse network of human rights, supporting her model with case studies t...
The Initiates
Winner of: Gourmand Magazine Best US wine book translation Slate Cartoonist Studio Award nominee A graphic novel that explores the nature of one’s vocation, this book offers a look at the daily devotion to craft in two dissimilar professions. Étienne Davodeau is a comic artist—he doesn’t know much about the world of winemaking. Richard Leroy is a winemaker—he’s rarely even read comics. But filled with good will and curiosity, the two men exchange professions, and Étienne goes to work in Richard’s vineyards and cellar, while Richard, in return, leaps into the world of comics. Providing a true-life representation of how both professions work, this insightful book investigates two fascinating fields, exploring each man’s motivations and ultimately revealing that their endeavors and aspirations are not much different.
Show Me Where It Hurts
In Show Me Where It Hurts, Monica Chiu argues that graphic pathography—long-form comics by and about subjects who suffer from disease or are impaired—re-vitalizes and re-visions various negatively affected corporeal states through hand-drawn images. By the body and for the body, the medium is subversive and reparative, and it stands in contradistinction to clinical accounts of illness that tend to disembody or objectify the subject. Employing affect theory, spatial theory, vital materialism, and approaches from race and ethnic studies, women and gender studies, disability studies, and comics studies, Chiu provides readings of recently published graphic pathography. Chiu argues that these...
Making Humanitarian Crises
This open access collection of essays explores the emotional agency of images in the construction of ‘humanitarian crises’ from the nineteenth century to the present. Using the prism of the histories of emotions and the senses, the chapters examine the pivotal role images have in shaping cultural, social and political reactions to the suffering of others and to the establishment of the international networks of solidarity. Questioning certain emotions assumed to underlie humanitarianism such as sympathy, empathy and compassion, they demonstrate how the experience of such emotions has shifted over time. Understanding images as emotional objects, contributors from a wide horizon of disciplines explore how their production, circulation and reception has been crucial to the perception of humanitarian crises in a long-term historical perspective.
Cultural Excavation and Formal Expression in the Graphic Novel
This volume was first published by Inter-Disciplinary Press in 2013. The graphic novel is an artefact of visual images and written words; a complex and expressive form tackling a multitude of issues and themes across the globe. The graphic novel is a tool: of self-expression and personal identity; of cultural understanding and philosophical exploration; of history and hope. Comics and graphic novels traverse themes such as heroism, identity, philosophy, gender, history, and colonialism—and these are just some of the topics encountered on the pages of this diverse collection of perspectives and analyses. Incorporating chapters from authors all over the world, this volume examines and expounds the rich tapestry of meanings, expressions, and cultural insights found in the medium of graphic fiction. From concerns with comics’ definition and history, to examinations of both seminal and neglected works as well as the medium’s future, Cultural Excavation and Formal Expression in the Graphic Novel demonstrates the deeply ingrained relevance of comics to contemporary culture.
Comics and Narration
This book is the follow-up to Thierry Groensteen's groundbreaking The System of Comics, in which the leading French-language comics theorist set out to investigate how the medium functions, introducing the principle of iconic solidarity, and showing the systems that underlie the articulation between panels at three levels: page layout, linear sequence, and nonsequential links woven through the comic book as a whole. He now develops that analysis further, using examples from a very wide range of comics, including the work of American artists such as Chris Ware and Robert Crumb. He tests out his theoretical framework by bringing it up against cases that challenge it, such as abstract comics, d...
Vulnerability and Security in Human Rights Literature and Visual Culture
This book responds to the failures of human rights—the way its institutions and norms reproduce geopolitical imbalances and social exclusions—through an analysis of how literary and visual culture can make visible human rights claims that are foreclosed in official discourses. Moore draws on theories of vulnerability, precarity, and dispossession to argue for the necessity of recognizing the embodied and material contexts of human rights subjects. At the same time, she demonstrates how these theories run the risk of reproducing the structural imbalances that lie at the core of critiques of human rights. Pairing conventional human rights genres—legal instruments, human rights reports, r...
