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This fascinating and richly illustrated book traces the history of architectural illumination. 200 photos, 100 in color.
This anthology presents a range of interdisciplinary explorations into the urban environment, through film, photography, digital imagery, maps and signage. Contributors examine our fascination with the city through the history of art and architecture, urban studies, environmental studies, cultural geography and screen studies. Bringing together a wide spectrum of urban contexts, Visualizing the City’s diverse essays explore visual representations of urbanism and modernity reflected through the prism of global cultures using an engaging variety of methods and texts.
Cities of Light is the first global overview of modern urban illumination, a development that allows human wakefulness to colonize the night, doubling the hours available for purposeful and industrious activities. Urban lighting is undergoing a revolution due to recent developments in lighting technology, and increased focus on sustainability and human-scaled environments. Cities of Light is expansive in coverage, spanning two centuries and touching on developments on six continents, without diluting its central focus on architectural and urban lighting. Covering history, geography, theory, and speculation in urban lighting, readers will have numerous points of entry into the book, finding i...
Catalog of an exhibition held at the David Winton Bell Gallery, Brown University, Providence, R.I., Dec. 8, 1995-Jan. 21, 1996, and at other museums and galleries through Sept. 1996.
The Complex History of a Building With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement—up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986. Presumably the most important and influential architectural icon of the 20th century, uniquely documented and depicted On the occasion of the 50th anniversary of Mies’ death and the Bauhaus centenary Many never before published photographs from archives in the US, Germany and Spain
Catalog of an exhibition held at the Yale School of Architecture Gallery, Aug. 23-Oct. 2, 2010.
While Mies van der Rohe’s pavilion at the International Exposition in Barcelona in 1929 went unnoticed by most of the visitors to the fairgrounds, contemporary critics enthusiastically hailed it as the most convincing statement of the Modern Age. This book presents 100 selected texts about this much discussed building, written then and now: from the opening speech by the Spanish king, to newspaper articles and private letters, voices of contemporary architects, architecture critics and historians, and even a text by artist Ai Weiwei, who created an installation in the outdoor area of the pavilion in 2010. Thus the history of this building’s reception depicts a dazzling picture and inconceivable breadth, including statements by such eminent authors as Frank Lloyd Wright, Leonardo Benevolo, Rem Koolhaas, Peter Eisenman.
Interest in biological rhythms has been traced back more than 2,500]ears to Archilochus, the Greek poet, who in one of his fragments suggests ",,(i,,(VWO'KE o'olos pv{}J.tos txv{}pW7rOVS ~XH" (recognize what rhythm governs man) (Aschoff, 1974). Reference can also be made to the French student of medicine J. J. Virey who, in his thesis of 1814, used for the first time the expression "horloge vivante" (living clock) to describe daily rhythms and to D. C. W. Hufeland (1779) who called the 24-hour period the unit of our natural chronology. However, it was not until the 1930s that real progress was made in the analysis of biological rhythms; and Erwin Bunning was encouraged to publish the first, and still not outdated, monograph in the field in 1958. Two years later, in the middle of exciting discoveries, we took a breather at the Cold Spring Harbor Symposium on Biological Clocks. Its survey on rules considered valid at that time, and Pittendrigh's anticipating view on the temporal organization of living systems, made it a milestone on our way from a more formalistic description of biological rhythms to the understanding of their structural and physiological basis.
For nearly two decades, Office for Visual Interaction (OVI) has been creating inventive lighting designs, illuminating the world's most prominent architectural works. The New York Times Building, the United States Air Force Memorial, a streetlight for the City of New York, the historic Rookery Building or the Scottish Parliament, are part of a new design canon that has captivated designers and visitors alike. As the name itself states, OVI is inspired by light's interaction with finishes and materials. Through the activation of surfaces, light and shadow become a natural extension of the architectural language, integrated and woven into the building fabric rather than applied as an additive element. Impeccably designed and illustrated with more than 400 stunning images, sketches, illustrations and graphics, this book is an essential companion to the art and science of lighting design and an unprecedented account of one of the world's leading architectural lighting design firms.
In 1936, John Nicholas and Anne Brown commissioned Richard Neutra, the great Vienna-born architect, to design a summer house for them on Fishers Island, New York. Completed in 1938, Windshield (named for its large expanses of glass) was Neutra's most significant residential building outside Los Angeles and the only one on the East Coast. A striking example of International Style architecture that featured many modern innovations, including two of R. Buckminster Fuller's Dymaxion bathrooms, the house was severely damaged by a hurricane only weeks after its completion. The Browns rebuilt the house and continued to occupy it until 1959. The house was destroyed by fire in 1975. This engaging publication, written by prominent scholars of contemporary architecture and design, is the first to focus on the collaborative design process for Windshield, as revealed by the extensive Brown/Neutra correspondence, as well as on its role in modern American architecture. J. Carter Brown has contributed personal recollections about growing up in Windshield. This book will accompany an exhibition that opens at the Harvard University Art Museums in November 2001, and will then travel to the RISD Museu